Author: News US

 

 Elias Ward yanked the reigns when he saw a body collapsed in the red dust. It was a tall Apache woman. Her muscular frame covered in dust and dried blood. Purple welts from a whip marked her shoulders and back, and her wrists were still bound with a strip of leather clear signs she had been tied up.

 Her breathing was shallow, and her chest rose and fell in faint, uneven motions. Elias leapt from his saddle and dropped to his knees beside her. Heat radiated off the ground in shimmering waves. But colder still was the thought that flashed through his mind. This could be a trap.

 The Apache tribe had warned him more than once not to meddle in their affairs. He placed his hand on her neck. Her pulse was so faint it felt like it might vanish at any second. If he left her here, the son would kill her within a few hours. Gritting his teeth, Elias drew the knife from his belt and sliced through the leather binding.

 Then he hoisted her over his shoulder. She was heavy, like carrying a whole sack of grain, but he powered through and threw her across the horse’s back. “Damn it,” he muttered, kicking the res. The horse bolted forward, red dust swirling in its wake, the scent of blood, sweat, and hot sand mixed in the air.

 Elias did not look back. If anyone was watching, they would know whose side he had chosen, and this time, there would be no turning back. Elias Ward galloped through the rickety wooden gate, rushing to Kina inside the cabin. He gently lowered her down, laying her on an old blanket spread beside the fireplace, then hurried to start a fire.

 Flickering yellow light danced across his sun darkened, sweat- soaked face. He dragged over the wooden bucket and scooped what little water remained in the tank. Every sip of water during the dry season was worth its weight in gold. But Elias soaked a cloth and used it to wipe the dust and dried blood from her face.

 The pulse at her wrist was still faint, but at least she was alive. Elias had never been one to get tangled in other people’s problems. A few years back, disease swept through this land and took his wife and two young sons. Since then, he had lived like a ghost, tending only to the parched land and his small herd of cattle.

 He stayed away from town and even farther away from the trouble that came with other people. But what he had done tonight shattered all of that. The woman before him, Ta, was unlike the Apache women he had seen before. Her body was powerful with bulging arms and broad shoulders like a warrior. The whip marks on her back told of a brutal punishment likely for betraying tribal law. Elias knew one thing for certain.

If the tribe found out he had taken her in, they would brand him an enemy. Outside, night was falling fast. Prairie winds swept sand through the cracks in the cabin walls, carrying with them the lingering heat of the day. Elias threw more wood into the fire and dropped down beside Tina.

 The flames lit up his face, weathered, sunscched with gray eyes that were cold but deep. He handed her the last bit of water in a small bowl. She parted her lips slightly, drank slowly, and then slipped into unconsciousness. Elias let out a heavy breath and pulled the rifle close, resting it within arms reach.

 He leaned back against the wooden wall, eyes fixed on the door. He knew exactly what kind of people would leave a woman to die in the desert, and that they might return to finish what they started. And tonight, if they did, Elias ward would be the one standing in the doorway. The fire in the hearth had faded, leaving only a bed of glowing embers.

 Elias dozed in his chair, the rifle resting across his lap. A faint rustling sound snapped him awake. Takina. She pushed herself upright, her dark eyes wide and wild with panic. In an instant, her large hand snatched the small knife from beside the stove. Steel flashed in the fire light. Elias did not move.

 He slowly raised both hands, his voice low and grally. If you are going to stab me, do it clean. But if you want to live, put the knife down. Tina was panting, sweat beating on her forehead. Her eyes darted around the cabin, small, old, but not a prison. Then to the man in front of her, tall, lean, unshaven, with eyes that were steady and cold, she hesitated. Elias kept his voice calm.

 I cut your bonds. If you want to leave, that door is open. But out there, there is nothing but hot sand and vultures. The knife trembled in her grip. After a long pause, she let out a breath and dropped it to the floor. Her powerful body collapsed like a felled tree. Eli stepped forward, picked up the blade, and handed her the last bowl of water.

 

 

 

 

 

 

Drink. You need it more than I do. Takina took the bowl, and drank in slow sips. Her eyes never leaving Elias as if trying to figure out if this was some kind of trap. Without another word, Elias stepped out onto the porch and sat on the edge of the steps, his rifle across his lap. Tequina tilted her head, watching through the door.

 In the moonlight, the man’s silhouette remained still as stone. The only movement, the faint wisps of smoke curling from his cigarette. That entire night, Tequina did not sleep. Each time the nightmares came, she opened her eyes and saw Elias still there, never coming in, but never leaving either.

 A strange feeling began to stir in her chest, something she thought had died with her past, a sense of safety. By the time the sky began to pale, Elias had not moved. He simply turned his head and spoke quietly. If you want to stay until you are strong again, you can. If you want to leave, I will not stop you. The choice is yours.

Tina stared at him. Then turned her face away. She said nothing but her hand tightened around the blanket draped over her shoulders. And that was her answer. The sun rose, casting its light down on the weathered roof of the cabin. Tequina could stand on her own now. She stepped out into the yard, her shoulder still roughly bandaged, but her gaze sharp and focused.

 Elias was fixing a broken section of fence, not bothering to look up. “You are stronger,” he said in an even tone. “If you want to eat, there is a spot to haul water behind the cattle pen.” Tina said nothing, but a moment later, she picked up a wooden bucket and made her way to the water tank. Her thick, muscular arms flexed beneath sund darkened skin as she pulled up the bucket.

 Elias glanced over someone who had nearly died just the night before and was already strong enough to work. It caught him by surprise. That day, Takina said almost nothing, simply followed Elias in silence, watching how he patched the fence and mixed mud to repair the walls. As the afternoon faded and Elias finally paused to rest, she suddenly stepped forward, picked up the hammer, and finished driving in the last posts.

 Elias stood still for a moment, then gave a quiet nod and let her carry on. That evening, for the first time, Tequina lit the kitchen fire without being asked. She cooked a simple rabbit stew and set it down in front of Elias without a word. He looked at the bowl, then at her. A silent nod was all the thanks he gave. In the days that followed, the cabin was no longer so quiet.

 The sound of hammers, shovels, and wood clashing together filled the air. Elias dug a new water hole. Tina hauled stones to block the wind. Her strength so great, she rebuilt an entire section of the fence in just one afternoon. One evening, as the sunlight faded, the two of them sat on the front porch. Elas lit a cigarette and Tequina whittleled a small knife.

 For the first time, she spoke, “Why did you save me?” Elias stared out at the cracked dry fields. “Because I could not bear to see someone left out there. I have seen too much death. Tequina was silent. After a moment, she nodded. A simple answer, but something inside her seemed to uncoil and loosen.

 That night, as the wind rustled through the old roof, Tina no longer tossed and turned. For the first time in months, she slept deeply. While outside the cabin, Elias’s slow, steady footsteps circled the homestead. “Thank you for being here. If this story reminded you of days gone by dusty sunsets and the echo of hooves pounding in your heart, go ahead and subscribe to my channel so that each day we can sit together once more and I will tell you another story from the wild west.

 That afternoon, the sky suddenly turned a harsh golden hue. Elias was tightening the rains on his old horse when the sound of hooves echoed in the distance. His head snapped up. On the horizon, a faint trail of dust was growing larger. Uninvited guests. Elas muttered, grabbing the Winchester propped up on the porch.

 Tequina heard the sound and stepped outside. The moment she saw the riders, she froze. Three Apache warriors on horsebacked the entrance to the ranch. Their faces were painted for war, their eyes cold as ice. The one in front nudged his horse forward and spoke in a deep, flat voice. “Our woman is here. Hand her over.

” Tea took a step back, her hand instinctively gripping the small knife at her side. IA stepped forward, placing himself between the cabin door and the riders, the rifle steady in his hands. She is injured. She has the right to stay here until she is healed. Another warrior snarled, his voice rising. She has been cast out by the tribe.

 She has no right to live on this land. If you shelter her, you become our enemy. Elias did not lower his gun. His gray eyes were cold steel. If you want to kill someone, you will have to go through me first. The silence that followed was taught as a drawn bow. The wind kicked up red dust swirling around the horse’s hooves.

 From behind Elias, Tina stared at him, his face calm, but his shoulders tense, ready to fire at the first wrong move. Finally, the lead warrior lowered his spear, his gaze burning with fury. We will return. Next time, we will not come alone. They yanked the rains and galloped off, leaving behind a trail of dust and a heavy, suffocating silence in the yard.

Tina gripped her knife so tightly her knuckles turned white. Elias turned back toward her. “The fire still flickering in his eyes. They will come back with more,” he said quietly. “If you still want to stay, we have to prepare.” Tea nodded. Her eyes now lit with a different kind of fire. Not fear, but the burning will to survive.

 That night, Elias lit the lantern and dragged out every round of ammunition and every old sandbag from the shed. Tina stood beside him, sleeves rolled up, helping him barricade the windows and build up defenses in the yard. For the first time since she had come here, she was no longer just a refugee. She had chosen to stand with him for the battle to come.

 3 days later, before the sun had fully set, red dust began to rise on the horizon. Elias stood on the porch, his Winchester in hand. Tequina had tied her hair back, gripping a spear and a knife. Her stance, that of a warrior ready for battle. The sound of hooves grew louder until nearly 20 Apache riders swept in, surrounding the ranch in a tight circle.

The air was thick with the smell of horse sweat and tanned leather. The warriors remained silent, save for the heavy snorts of their horses. An elder stepped forward. He was old, with long silver hair and a deer-kinn cloak draped over his shoulders. His face was as stern as stone. He looked at Elias, then at Tina standing tall behind him.

 She was cast out. She belongs to the dust. Why do you keep her? Elias did not lower his rifle. Because she is still alive, and she has the right to choose. A murmur rippled through the circle. A young warrior shouted. She dishonored the tribe. She cannot be allowed to live. Teina stepped forward, her voice thunderous. I dishonored no one.

 I was punished for not bearing children, but that is no crime. Silence spread like a wave. The warriors looked at one another, though the fire in their eyes still burned. The elder turned his gaze to Tequina. You choose to live here under the roof of a white man. That means you sever all ties to the tribe. Tina gripped the shaft of her spear and nodded. I choose life here.

 The elder was quiet for a long moment. Then he raised his hand. We will leave tonight, but at dawn I will return with the council of elders. If you are still here by then, you will no longer be a daughter of the tribe. And you, he turned to Elias, you will bear the consequences. He turned his horse, and the entire war party followed, their hooves thundering as red dust swirled over the fence line.

 Once they had vanished from sight, Elias lowered his rifle. Tina still stood tall, her chest rising and falling with every breath. Elias looked at her, his voice low. By morning, everything will change. Are you sure? Tina met his eyes, her gaze burning with fire. I already died once out there. I will not die again. Elas nodded, tightening his grip on the rifle.

 

 

 

 

 

 

 The night ahead would be long, and when the sun rose, this ranch might become a battlefield. At dawn the next morning, the sky turned a deep burnished bronze. Elias had been awake long before the rooster crowed. He stood on the porch, rifle fully loaded. Inside, Tina was tightening the bandage on her shoulder, her eyes sharp and cold as steel.

 A horn sounded in the distance, low and thunderous like a storm. Then the riders appeared. Not just a small group this time, but the full council of elders and their escort. At least 50 people surrounded the ranch in a solid circle. A path opened before the gate. The silver-haired elder rode forward. Behind him came two older women, their dark hair stre with gray members of the matriarchal council.

 Those with the power to decide Tina’s fate. Tina stepped out, standing tall. The morning light caught the scars on her son, darkened skin marks from whips that had not yet fully healed. She no longer stood behind Elias. She stood beside him, shoulderto-shoulder. One of the elder women spoke. Takina, daughter of the tribe, today we ask for the last time.

 Do you choose to return and face judgment, or do you choose the path of permanent exile? Tina took a deep breath. The early wind swept through, tossing her hair into a wild storm. I will not return, she said clearly. I choose life. Life on my own terms, not under an unjust sentence. Murmurss rippled through the circle. Some warriors gripped their spears tighter.

Others bowed their heads as if silently accepting what they had heard. The other elder woman gave a slow nod. From this day forward, your name is struck from the lineage. You are no longer a daughter of the tribe. You will not be buried in ancestral soil, but also from this day on. The tribe will no longer hunt you.

 The old chief turned his gaze to Elias, his eyes sharp as blades. You sheltered her. That means her fate is now bound to yours. If she sheds blood because of this choice, that blood is also on your hands. Elias did not look away. I understand. A moment passed one that felt as long as a lifetime. Then the elder raised his hand.

 One by one, the warriors turned their horses and withdrew from the circle. Only when the sound of hoof beatats had faded did Teina finally exhale. Her broad shoulders trembled, but her eyes were lit with fire. Elias looked at her for a long time, then gave a slow nod. You just chose a new life, he said. Tina answered softly, her voice rough but proud. Number I chose myself.

 That afternoon, the sky turned pitch black without warning. After weeks of drought, the first drops of rain fell on the dusty roof of the cabin. The scent of wet earth rose thick in the air as if the whole prairie was letting out a long weary sigh. Elias stood on the porch, rain soaking through his shirt. He watched the cracked fields slowly soften under the falling water.

 Takina stepped out behind him, her dark hair wild in the wind. Rain glistening on her muscular arms. The storm came fast. Elias said, his voice rough. Tina said nothing. She stepped down from the porch, tilting her face to the sky, eyes closed. Rain mixed with dust and dried blood on her skin, washing away everything that was left of her past.

Elias watched her for a long moment. She was no longer the abandoned woman he had found in the desert. Standing before him now was a warrior and a free human being. As the rain began to ease, Elias stepped out into the yard and stood beside her. The two of them stood in silence for a long time, listening to the steady patter of rain.

 “You can leave,” Elias said slowly. “They will not hunt you anymore. The road south still leads to town.” Tina turned to him, her eyes calm but deep. “And do you want me to leave?” Elias was quiet. Rain rolled down his sun darkened face. Finally, he shook his head. Number I think this ranch. It is no longer big enough for just one person.

 A faint smile crossed Tina’s lips. The first true smile since the day he saved her. That whole afternoon, the two worked side by side clearing the yard, turning over the soil, repairing the fence. Tequina carried the heaviest logs. Elias drove the posts. By the time the sun broke through the clouds again, the ranch looked different, stronger, cleaner, and filled with the scent of new earth.

 When night came, Elias lit a fire in the yard. They sat beside it, watching the sparks drift into the dark sky. For the first time in years, Elias did not feel alone. Tina laid her spear on the ground, a silent promise. Elias lit a cigarette and smiled gently. “Tomorrow, we build a new horse pen.” Tina nodded.

 The fire light casting her face in a warm glow, strong but peaceful. In the quiet of the night, the rain had stopped. All that remained was the smell of damp earth and the feeling that something new had begun. Sometimes we do not get to choose where we are born. But we can choose where we stand. And sometimes choosing to stand beside someone else means daring to stand against the world.

In that very moment when two lost souls decide not to walk away, a true home is built, not just from wood and nails, but from courage and trust. Thank you all for listening. I truly hope you stay happy and healthy. I love you all, my beloved audience of Wild West Storytelling. Let me know what you thought of this story.

 Leave a comment below. Type the number one if you enjoyed it and do not forget to subscribe to the channel for more gripping tales from the Wild

 

 

In 1986, three siblings were rescued from a hoarder house in rural Indiana. Their parents were arrested. The news made headlines, but in the background of one photograph, was a fourth child, a girl no one could identify. No records, no name, no follow-up. Now, nearly 40 years later, one of the

rescued siblings returns to the house and finds a sealed trap door beneath the porch. What she discovers rewrites everything they thought they escaped from.
Before we begin, don’t forget to hit subscribe for more cinematic true crime mysteries based on real cold case patterns, long buried secrets, and impossible disappearances. August 14th, 1986. Location, Floyd County, Indiana. In this prologue, we open on a small town newspaper office as an intern

loads developed photos from a crime scene onto a light board. One image shows the rescue of the three Dawson children from a collapsing trashfilled farmhouse.
But in the back, near the porch steps, a fourth child is visible, half shadowed, barefoot, her face partially turned toward the camera. No one on the scene recalled her. Her image was cropped from the printed photo and forgotten. May 3rd, 2024. Location, Floyd County, Indiana. The rental car

crunched up the gravel drive like it remembered the weight of tragedy.
Tall grass swallowed the path on both sides, green and overgrown, wrapping around the tires as if trying to pull the vehicle back. May Dawson hadn’t seen the house since she was 8 years old, but it still stood at the end of the drive, sagging under the weight of time and rot. The Dawson house.

That’s what the newspapers called it in 1986, back when everything fell apart. Now, nearly 40 years later, the only sound was the wine of cicas and the crackling of her nerves. She parked under the rusted remains of what used to be the carport. The boards had buckled. The tin roof slumped in the

middle like a broken spine.
The house beyond was two stories of peeling paint, busted gutters, and sunbleleached windows. It looked exactly like it should, haunted. May stepped out, gravel crunching beneath her flats. She wore black slacks, a loose cotton shirt, and a messenger bag slung over one shoulder. She had brought

only what she needed. Gloves, a flashlight, her phone, and the photograph.
She stood there a moment, hand resting on the roof of the car, trying to control her breathing. The last time she’d stood in this yard, two social workers were dragging her and her younger brother through a sea of beer bottles and newspapers, past a living room full of trash bags and sour smelling

blankets. She had blocked most of it out, or so she thought. Now it all came rushing back.
The smell, the noise, the hands that grabbed them, the screaming, and the porch. May climbed the three front steps slowly, pausing at the landing. The porch sagged under her weight, but it didn’t give. She reached into her bag and pulled out the laminated photo, the one she had printed from the

microfilm archive at the county records office 2 weeks earlier. August 14th, 1986.
Three kids being led out of the house by child protective services. May, her twin brother Mark, and their baby sister Bethany. But in the photo, just over May’s shoulder by the bottom of the steps, stood another child. A girl, maybe six or seven. Long, dirty blonde hair, no shoes, eyes cast toward

the camera like she’d been caught mid breath. She wasn’t in any of the follow-up photos.
Her name wasn’t in any reports. May had spent two weeks combing through case files and transcripts. Not one mention. She’d shown the photo to Mark. He shrugged, said, “I don’t remember any other kid. Probably a neighbor.” But May remembered something different. Something deeper. A tug. A name she

couldn’t place. A voice in the dark.
Now standing on the porch again, she looked at where the girl had been standing. The same spot, same angle. Four decades later, the floorboards were warped. A long crack running down the center. May crouched and ran her fingers along the edge of one plank. Software, slight give. She felt it before

she saw it.
A seam in the wood. Not rot, but division. A square maybe 3 ft across. A door. She stood, heart thutuing. The trap door hadn’t been there in 1986. Or if it had, it had been buried beneath garbage and silence. The county had condemned the house after the rescue, but her aranged aunt Lorna had bought

the property for a song.
“Kept it for memories,” she said in her will. And now, with Lorna gone, the house was Maze. She hadn’t planned to return, but then the photo surfaced and she saw her, the fourth child. May stepped back, pulled out her phone, and started a voice memo. May 3rd, 3:47 p.m. I’m on the porch of the old

Dawson house, confirming presence of a possible sealed crawl space or trap door beneath the front boards.
Visible outline appears original or added before 86. Preparing to pry open, she stopped recording, slipped on her gloves, and pulled a crowbar from the bag. The wood groaned as she worked the metal into the seam. Dry splinters cracked free. It took three tries, but eventually the board shifted,

then lifted. The trap door was real.
Beneath it, a pitch black square, maybe 5 ft deep. The scent of rotted fabric, mold, and metal hit her immediately. May gagged and stepped back. She covered her mouth and shined her flashlight down. It wasn’t empty. Inside the hollow cavity was a mound of tattered blankets, old dolls, plastic

utensils, and a child’s shoe.
A pink canvas Mary Jane with a star patch on the side. Dirt and hair clung to it like it had been down there for years. May froze. Her heart kicked in her chest like a trapped animal. She took a photo with her phone, hand shaking. As she looked at the screen, she realized something else.

In the dust along the inside of the hatch, someone had scratched words. Four of them barely visible under the beam of light. I am the fourth. May dropped to her knees. Oh my god. Then her phone buzzed. A call. Mark, she answered, trying to keep her voice steady. Hey, you at the house? He asked. His

voice was flat, guarded. Yeah, she said. I found something. A pause. You shouldn’t be there. May swallowed.
There’s a hatch under the porch, Mark. With stuff inside, toys, clothes. I think I think she was real. Mark didn’t respond. Do you remember her? May whispered. The girl from the photo. Another long pause. Then, “No.” But his voice was different now. Tight, like it was hiding something. May stood

staring down at the hatch. “You’re lying,” she said quietly.
And for the first time in 38 years, she heard him breathe like someone remembering a nightmare. I didn’t think she’d still be there. May 3rd, 2024. Location: Dawson House, Floyd County, Indiana. May didn’t speak for a moment. Mark’s voice lingered in her ear, tiny and distant. But those six words

echoed louder than the cicas around her. I didn’t think she’d still be there.
Not who? Not what are you talking about? Not May. You’re losing it. He knew. May stepped back from the trap door, her heart racing. What do you mean? Still be there. On the other end, Mark’s breath hitched. She could hear him pacing. Look, I didn’t mean that. You’re twisting it. You just admitted

something was there. Someone May snapped. Mark, I found her shoe.
There’s writing inside the hatch. Somebody was kept here. No one was. Don’t lie to me, May shouted, and her voice cracked through the overgrown trees like a whip. Her hands were shaking. She dropped to her knees again, peering into the dark space below. You said you didn’t remember her. Now you say

you didn’t think she’d still be there.
Which is it? Silence, then a click. He hung up. May stared at her phone in disbelief. A wave of nausea climbed from her stomach, the same kind she’d felt as a child when she used to wake up in the middle of the night to the sound of something, someone scratching behind the walls. She slipped the

phone into her pocket and turned her flashlight back to the hatch. The air drifting from it was stale and sour.
Beneath the debris was a dirt floor, uneven and cracked, with strands of torn insulation hanging like cobwebs from the wooden joists above. She reached for the crowbar again and widened the opening. The floorboards groaned, but the porch held. May clicked on the camera app and started recording

video this time, narrating through her breath.
Entering the crawl space, evidence of a concealed compartment, found clothing items, a single child’s shoe, and what appeared to be nesting materials. Text etched into the side wall reads, “I am the fourth, beginning descent.” She lowered one foot onto a crossbeam, then slowly climbed down into the

space, knees bent, flashlight clenched between her teeth. The space was narrow, claustrophobic.
Her head barely cleared the joists above. She crouched low, scanning the corner where the shoe had been. There was more now that her eyes adjusted. A tiny plastic mirror, a matted hairbrush, a pile of torn book pages, all from different children’s books, most faded, some shredded like someone had

chewed or ripped them in frustration.
May knelt beside the debris and picked up the mirror. Its back was cracked. The glass smudged and cloudy, but when she tilted it, a faint shape appeared in the reflection. A faint outline on the wall behind her. She turned. There was something carved into the wood support beam, deep and jagged, as

if done by a shaking hand. Not words this time, a drawing.
Four stick figures, three with X’s over their heads, one left untouched. The untouched figure had long hair and a circle around it. May stared, her throat tightened. A noise behind her, creaking. May scrambled up and turned off her flashlight. She held her breath. Silence. Then another noise.

Closer.
She reached for her phone, but before she could dial, a voice called from above. Distant, cracking like it came through a blownout speaker. Hello. May froze. Another voice followed. Sharper. We’re with the sheriff’s department. Step out onto the porch. She blinked.

The sheriff? She pulled herself back up through the hatch just in time to see two uniformed deputies standing at the edge of the yard, hands resting casually on their belts. A white patrol truck idled behind them. “Miss Dawson?” one asked, spotting her rising from the porch shadows. “We received a

report. Neighbor said someone was breaking into the house.” May exhaled hard, the adrenaline catching up to her. I I wasn’t breaking in. I own the house.
One of the deputies, a tall man with thinning hair, climbed the steps and looked at the partially pried open hatch. Looks like you were prying something open. It’s mine, May said. The house. My aunt left it to me. I’ve got the documents in my bag. He nodded, unconvinced. Mind if we take a look? May

hesitated, then gestured toward the opening.
You’ll want to see this anyway. The next 30 minutes moved fast. She showed them the hatch, the shoe, the etchings. One officer took photos while the other called it in. Soon, a detective arrived. Detective Howerin, mid-50s, sunweathered face, pale gray blazer over jeans.

The kind of man who looked like he’d grown up in town and seen every flavor of decay. He knelt by the trap door and whistled. “And you say you just found this today?” “Yes.” “Mind if I ask what brought you back here?” May handed him the laminated photo from her bag. Howerin studied it, his face

tightening. “This This is from the 1986 rescue, isn’t it?” May nodded.
She’s not listed, Howerin muttered, tapping the girl’s image. No name, no record of a fourth child. And you’re sure this isn’t some neighbor kid who wandered into the frame? May looked him square in the eye. Number she lived here, and someone made sure she was forgotten. Howerin looked back at the

house, now glowing amber in the late afternoon light.
The porch boards creaked under his boots as he rose. We’re going to secure the site, he said. Forensics will need to go over every inch. But if there’s truth to this, he didn’t finish because they both knew what this meant. The story they were told in 1986 was a lie. That evening, back at her

motel, May sat on the edge of the bed with the photo in her hands.
The TV played some muted local news segment in the background, but she wasn’t listening. Her phone buzzed. A message from an unknown number. Stop digging. There was no fourth child. May’s hands went cold. She stared at the screen. Then she looked back at the photo at the barefoot girl standing half

shadowed by the porch, forgotten by time, erased from the record.
Her eyes stared right through the lens. Right through May, she whispered to herself, voice barely audible. Then why do I remember her name? May 4th, 2024. Location, Floyd County Sheriff’s Office, Indiana. The sheriff’s office hadn’t changed much since 1986. Same lenolum floors, same coffee stained

furniture, same cracked bulletin board where missing posters once hung, curling at the edges like leaves in a drought. May remembered being here.
She didn’t remember the layout or the paint color, but the feeling, that thick, sour dread, was still in the air. Detective Howerin led her down a short hallway and into a small windowless interview room. It smelled like copier toner and worn out air conditioning. “Have a seat,” he said, nodding

toward the metal chair.
“Can I get you anything?” “Water, coffee.” May shook her head. He settled across from her, setting a recorder on the table between them. He pressed the red button. A soft click. Detective John Howerin, Floyd County Sheriff’s Office, May 4th, 2024. interview with May Dawson regarding the 1986 rescue

from 1,120 Firebrush Lane and newly discovered evidence of a potential fourth minor.
He paused. May stared at her hands. Take your time, Howerin said. I’m going to ask some questions, but if you need a break, just say so. She nodded. First, he began gently. Can you tell me how you came into possession of that photo? May took a breath. It was in the county archive.

I was researching old property records and crime scene documentation. I found the original negative from the rescue. And what made you start looking into it? May hesitated. I saw the photo online once cropped. Just me, Mark, and Bethany. But the full version. When I saw it, it felt wrong, like

something had been erased. And when I looked closer, I saw her, the fourth kid.
Had you ever seen her before that? Yes, May said quietly. I think I remembered her. I didn’t before, not clearly. But when I saw the photo, I knew her face. I knew the name, even if I couldn’t say it right away, like it had been pushed out of my head. Howerin leaned forward. Can you say it now? May

stared down at the table. Then she whispered, “Kala.
” The name settled in the air like ash. Howerin scribbled something in his notebook. “Kala, do you remember anything else about her?” May swallowed. She used to sing at night. When it was dark and we were locked in our rooms, I could hear her. She used to tap the wall between us. We’d knock back and

forth. Howerin raised his eyebrows. Your brother and sister don’t recall her.
I know, May said. Mark swears he doesn’t. But when I told him I found the hatch, he slipped. He said he didn’t think she’d still be there. Howerin’s eyes sharpened. Still be there? May nodded. The detective sighed. I’ll be speaking with him. He shifted gears. Tell me about what you found in the

crawl space. Describe everything. May listed it off slowly.
The pink shoe, the dolls, the mirror, the writing on the wall, I am the fourth, the drawing of four stick figures, three with X’s, one circled. When she finished, Howerin was silent for a long moment. He tapped the pen against his notebook. We’ve got forensics combing through the house right now.

From what they found so far, there’s no question the crawl space was occupied. For how long? We don’t know yet. May exhaled slowly. So, I’m not crazy. No. Howerin said. You’re not. And you may have just reopened a forgotten case. He stood and turned off the recorder. That’s all I need for now, but

May, this might get worse before it gets better.
She stepped outside 20 minutes later, eyes adjusting to the morning light. The parking lot shimmerred with heat already. The old house was taped off. Crime scene crews crawling through the shadows of her childhood like archaeologists unearthing a forgotten tomb. May made her way to the car. Her

phone buzzed. Unknown number again.
Stop remembering. She never had a name. She dropped the phone. Her hand trembled as she bent to pick it up. This time she didn’t call Mark. She opened her bag and pulled out the second copy of the photo, the one she hadn’t shown Howerin, because in this version, her finger had smudged something

when she scanned it.
She hadn’t noticed until later when she enhanced the image on her laptop. Calla’s feet were bare, but in the smudged magnified version, just beneath her right foot, almost hidden in the grass, something was visible. A chain connected to a stake in the dirt. May stared at the image again. Calla

hadn’t just been there. She’d been tethered.
That night, unable to sleep, May drove out to the old property again. The house was sealed. Yellow tape fluttered in the dark, but she didn’t go to the house. She went around the side to the broken down trailer where her father used to keep his tools. It had been padlocked for decades, but the

padlock had rusted through. Inside, it smelled of grease and dead air.
May swept her flashlight across the walls, tools, broken furniture, old paint cans, and then, tucked behind a tarp, a wooden box about the size of a microwave. She crouched. The lid creaked as she lifted it. Inside, dozens of index cards stained and curled, each with a date and a name, except for

one, just a card with a date, July 12th, 1986, and a label, unnamed, bright hair, unregistered.
May felt her blood go cold. They had cataloged her like property, and they never gave her a name. May 5th, 2024. Location 1,120 Firebrush Lane, Floyd County, Indiana. The forensics truck rolled up just after 9:00 a.m., tires crunching against the gravel as a team of crime scene techs stepped out.

May stood at the edge of the overgrown yard, arms folded, watching the dust settle around the yellow tape. She hadn’t slept. After finding the index card in the trailer, unnamed, bright hair, unregistered, she sat in her motel room the rest of the night staring at it, holding it, turning it over in

her hands like a relic. It wasn’t just the words, it was the implication.
Calla was documented, known, cataloged like the rest of them, and yet somehow erased. Detective Howerin spotted her and motioned her over. We’re about to go under the porch, he said. You don’t have to be here for this. I do, May replied. He didn’t argue. The crime scene crew had widened the trap

door May had uncovered.
A plywood rig supported the weak board surrounding it, and the interior cavity had been scanned for structural safety. Beneath the porch, the crawl space extended further than May originally realized. an L-shaped bend in the back that curved under the stairs. “Anything you want to tell us before we

go in?” one of the texts asked, snapping on a pair of nitrial gloves. May hesitated.
She carved drawings into the wood names. At least I think she tried to look for the word kala and anything chained to the beams. The tech nodded and ducked down. May crouched nearby, watching through the open trap door as they swept the flashlight across the dark. Dust swirled. Beatles skittered.

Then, “Detective!” one of the texts called out. His voice was tight.
“You should see this.” Howerin went down first. May followed. The crawl space had changed since she’d last been in it. Not just cleaned out, but expanded. More of the space had been cleared by the texts, and beneath the porch steps was a shallow dugout pit, 4 feet wide, about 2 feet deep. A child’s

mattress lay across it, molded, discolored.
“Jesus,” Howerin muttered. “This wasn’t a hiding place. This was a room.” The walls of the pit were carved with scores of deep scratch marks, not randomly, but in groups of four. over and over again, claw-like, desperate. Above the pit, nailed into the joist, was a wooden sign, not a factory-made

one, handcarved, crooked letters, burned at the edges. Princess Pit. May’s breath hitched, the flashlight shifted.
Beside the mattress, tangled in old rope and pink plastic chain links, was a pile of torn fabric, a ripped night gown decorated with faded unicorns. Next to it sat a ceramic dish, and on that dish a shriveled mummified bouquet of dandelions, a child’s attempt at a gift. May covered her mouth.

Another tech called from behind the crawlspace bend.
Detective, we found something else. May followed them around the L curve. Her knees scraped against the packed dirt. The beam of the flashlight hit something metallic. A small ventilation grill about a foot across embedded into the wall’s support beam. Behind it was a narrow chute.

Impossibly small for a person, but wide enough to pass objects through. On the other side, a dark cavity. Where does that lead? May asked. the tech replied. Maybe, but the house doesn’t have a full basement. Howerin frowned. Not officially. One of the techs reached into the chute with a gloved hand

and pulled something out. A scrap of paper folded, yellowed with age. Howerin unfolded it.
The handwriting was childlike, jagged, done in red crayon. Dear May, you knocked back. Thank you. I’m still waiting. I’m still here. I’m not scared anymore. May staggered back a step. She remembered it. The knocking, the rhythm. She used to think it was mice behind the wall. Then she started

knocking back.
Four taps, then three, then one. She used to call it the wall game. She thought it was Mark, but it wasn’t. It was Kala. Later that day in Howerin’s office, the evidence was laid out on the table. The dish, the doll fragments, the shoe, the gown, the crayon note, the carved beam.

You said your parents were arrested for neglect, Howerin said. But no charges of abuse. May nodded. They claimed there were only three children. No neighbors saw a fourth. No hospital records. No birth certificate. No foster system paperwork. May stared at the crayon note. What if they hit her

before CPS ever arrived? What if she was never supposed to be found? Howerin looked grim.
Then someone went to great lengths to erase her, and we have a body to find. That night, May sat in the motel tub, knees to her chest. The lights were off. Only the pale yellow glow from the parking lot outside the blinds lit the room. She listened to the sounds of dripping pipes and imagined her

little sister Bethany sleeping in the room next door, unaware of any of this. May hadn’t called her.
Not yet. Bethany was only 4 years old when they were rescued. Her memories were a soft blur. May had protected her from the truth once. Could she do it again? Her phone buzzed on the sink. She climbed out of the tub, dripping, and picked it up. Another message. Unknown number. Do not dig the garden.

She was never planted. She was discarded. May’s fingers shook. This wasn’t random.
Someone was watching. Someone who knew the house. Someone who used the same language they used back then. Discarded. Unregistered. Bright hair. She stared into the mirror, breath fogging the glass. And for the first time in 38 years, she remembered something buried so deep it didn’t feel like

memory, more like a whispered warning from behind the wall. A lullabi sung through the slats at night.
Fourth is not a name to say. Fourth will be the one to stay. One for food and two for light, three for sleep, and four for night. May whispered the words aloud, eyes wide, heart pounding. She hadn’t thought of that song in decades, but now it was back, and she knew what it meant.

Calla was the fourth, and she was never meant to leave. May 6th, 2024. Location 1,120 Firebrush Lane, Interior, Floyd County, Indiana. The wallpaper peeled back like old skin. May stood in what had once been the living room of the Dawson house, now a skeleton of its former self. Forensic crews had

cleared out most of the rot and rubble. Boards had been stripped, carpet ripped.
The house felt like an excavation site, but May wasn’t looking at the floor. She was staring at the wall where the family’s television used to hang. Behind the floral wallpaper, something bulged, a warped spot, subtle but unmistakable. She reached for her multi-tool and began to peel the paper

away. It came loose with a slow hiss, revealing splintered wood and a small rectangular cutout.
Howerin had left her alone for the day, said the house was cleared for now. But May knew better. The house hadn’t given up its last secret yet. She tapped the cutout, hollow, fingers trembling, she pried it open. Inside was a cassette tape, unlabeled, dust covered, wedged behind the wall for

decades.
May sat back on her heels. This wasn’t just forgotten. It had been hidden. Back at the sheriff’s office, Howerin examined the tape under a desk lamp. Where’d you find it again? In the wall, living room behind the wallpaper. He turned it over. No label, no timestamp. You sure this is from the8s? May

pointed to the casing. That’s a Fuji FXI.
That specific shell design was only made between 1984 and 1987. Howerin nodded, mildly impressed. You know your tapes. She didn’t tell him she used to record lullabies for Bethany on one or that her father used to make them listen to sermons he recorded from the radio, always over blank cassettes,

always without labels.
He didn’t want them to know what was coming. Howerin called in a forensics technician and had the tape loaded into a refurbished player used for digitizing evidence. static, a hiss, then a low tone, then a man’s voice. Familiar, monotone. This is documentation. Subject 4 continues to resist sleep

and food conditioning. Isolation protocol resumed. Nightlight revoked. May’s blood froze.
Behavior inconsistent with siblings. Subject exhibits defiant traits, not suitable for transition. There was a pause, then a faint whimpering in the background. A child’s voice barely audible. Please, I’ll be good. May covered her mouth. The man’s voice resumed. Begin reinforcement cycle. Repeat

the rhyme.
Then a chorus of three children chanting her and her siblings. One for food and two for light, three for sleep, and four for night. The tape hissed. A faint click. The recording looped again. The tech paused the tape. Howerin stared at the device like it had grown teeth. That voice. It’s my father.

May whispered. He recorded everything. That’s why he had the tapes. He was She stopped.
Couldn’t finish. Howerin stood abruptly and stepped into the hallway. May sat there shaking, staring at the tape machine. And then her phone buzzed again. unknown number. She didn’t pass the test. That’s why she stayed. She didn’t realize she’d begun crying until she saw the droplets hit the desk.

That night, May returned to the house alone.
The lock was broken now, the front door held closed with little more than a zip tie and a note. Active investigation. Do not enter. But she didn’t care. She had to find out where the voices came from, the reinforcement cycle, the conditioning. That wasn’t parenting. That was programming.

She walked room to room. Her flashlight carving slices through the darkness. She didn’t call Mark. She hadn’t spoken to him in 2 days. He hadn’t answered her texts. Hadn’t returned her voicemails. May stepped into the hallway. A breeze kissed her skin. Cool. stale from somewhere below. Not the

porch, not the crawl space, the floor vent beneath the hall rug. She rolled it back.
There, just beside the cold air return grate was a square metal cover sealed with screws. She ran back to her car, grabbed her tools, and returned to unscrew the panel. When she lifted it, a sour gust of air spilled upward. There was a tunnel, a man-made shaft, less than 3 ft high, wood panled,

drywalled, soundproof foam on the ceiling, a camera mount screwed into the corner.
May crawled in. The air was thick, but the tunnel led to a small chamber beneath the floor, and inside was a metal chair bolted to the concrete, a tray beside it, a box of old vintage My Little Pony toys, all brand new, tags still on. Bribes on the far wall, a cracked mirror etched in red crayon. I

am the fourth.
They said I failed. I hate pink. I am not bad. May fell to her knees. The scent of old sweat and tears lingered in the drywall. This wasn’t just where Calla was. It was where they broke her. When May emerged an hour later, she sat on the edge of the porch steps and watched the sky dim into dusk.

A neighbor’s porch light flickered on in the distance. Somewhere, a dog barked. Her phone rang. Mark. She answered without speaking. He didn’t say hello, just “You found the room, didn’t you?” May said nothing. “She never passed their test,” he said. They called her defective, disobedient, said she

couldn’t be reformed like we were. May’s voice cracked. We were children. I know.
Why didn’t you tell me she existed? Mark’s voice cracked, too. Because I didn’t know until they took her away. They erased her May like she was a mistake. I was seven. I didn’t understand. But I remember the day she stopped singing through the wall. They told me it was a dream. May clenched her

jaw. She was real. I know. He whispered. Now I remember. He hung up.
May looked out across the yard and for the first time she said her name aloud, not in fear, not in confusion, but in defiance. Kala. And the wind answered like a whisper behind the boards. May 7th, 2024. Location 1,120 Firebrush Lane, Furnace Room. The door to the furnace room hadn’t been opened in

decades.
May stood at the edge of the rusted handle, gloves on, crowbar in hand. The hallway smelled like dust and dry rot. And even though the rest of the house had been gutted by forensics, this door was still sealed shut, not padlocked, just painted over, dozens of layers thick, as if the house itself

had tried to bury it. The knob broke off when she turned it.
The crowbar did the rest. The door creaked open with a noise like lungs exhaling after holding their breath too long. Inside blackness. May stepped in slowly, flashlight shaking in her hand. The furnace room was small, no windows, cinder block walls.

The air was thick and heavy with old insulation and the faintest trace of burned rubber. The furnace itself was a beast. cast iron, hulking, long since disconnected, but it hadn’t been removed. Its mouth gaped open, jagged at the edges like rusted teeth. May walked to it. Then she saw it. Nestled

in the ash at the back of the chamber was a porcelain doll, scorched and cracked, one eye missing.
Its head was tilted unnaturally, and its dress had mostly burned away. But what remained was clear. A name handwritten across the hemline in faded red marker. Kala May stumbled backward. The doll had never belonged to her or to Bethany or to Mark. Her mother had forbidden porcelain dolls. Eyes like

spies, she used to say. They watch you. They whisper things at night.
So who gave this one a name? She sat on the back porch steps later that afternoon. The doll sealed in an evidence bag beside her, waiting for Howerin to arrive. Her hands were scraped, her face stre with sweat and soot. He pulled up in an unmarked vehicle, got out slowly, and walked toward her with

a look that said, “I believe you now.” May handed him the bag.
He looked at the doll, his jaw tightening. “I think they burned her things,” she said. one at a time. After she was taken, Howerin looked around the porch, the crawl space, the conditioning room. Now this, I’ve never seen a case like this in my career. She was never a case, May replied. That’s the

point.
She wasn’t reported missing because they never let her exist on paper. He nodded. We’re checking all missing children reports from 1980 to 1986. Cross referencing any Jane Does. But if she was never documented, she’ll never be found in a system. May finished for him. Unless we find her. Howerin

reached into his pocket and handed her something. This came from evidence storage.
From the first investigation, you might want to see it. May unfolded the aged piece of paper. It was a floor plan sketch crudely drawn in pencil, a child’s hand, labeled rooms, May’s room, Mark’s room, bathroom, mom and dad, and then in the center of the house, my room, but not allowed. Next to it,

a series of stick figures behind bars. Four, one, was circled. May stared at it.
Her fingers traced the edges of the paper like she was touching a memory. This wasn’t mine, she said. Or Marks. Bethany couldn’t draw yet. Howerin said. We found it folded inside a dresser drawer, stuck between the boards. No name, no fingerprints they could use at the time. It was hers. May

whispered. Kala’s room. Not allowed.
That night, May dreamed of the furnace room. In her dream, the doll stood up on blackened legs and spoke with her sister’s voice. Not Bethany, but the fourth voice, the one that had been scrubbed from cassette tapes and photographs and court reports. The doll said, “They put me in the dark so I

couldn’t be seen. And then they told me I was only real when I obeyed.
” Then it reached toward May’s mouth with tiny ceramic hands. Give me my name back. May woke up choking. The next morning, she drove to the hospital where her mother had been placed in long-term care. Dileia Dawson, age 81, legally incompetent, diagnosed with vascular dementia, poststroke aphasia,

no visitors in 5 years.
The staff said she barely spoke, rarely responded, mostly just stared out the window at the bird feeder. May sat across from her in a plastic chair in the sun room. Her mother’s face was pale and slack, wispy gray hair, hands curled at the wrists. May placed the laminated photo on the table, the

one from the rescue, cropped. Then she placed the original beside it.
Dileia blinked. The fourth child stood clearly in the full frame, barefoot, forgotten. “Who is she?” May asked quietly. Dileia didn’t answer. May leaned closer. I remember her name. So do you. You made her say it. You made us pretend she didn’t exist. But she did. Her mother’s head tilted slightly.

Eyes on the window on the feeder. A cardinal landed on the ledge. Then soft as breath. Four was too loud. May’s eyes widened. Dileia’s lip twitched. Four tried to bite. Silence. Then four didn’t sleep. Four didn’t listen. So four had to be quiet. May’s voice trembled. “What happened to her?” Dileia

blinked slowly.
Her mouth moved. May leaned in and her mother said in a rusted whisper. He buried her where the light doesn’t go. May 8th, 2024. Location 1,120 Firebrush Lane, lower crawl space. The next morning, May stood in the middle of the ruined living room, holding her mother’s words in her chest like a lit

match. He buried her where the light doesn’t go.
Howerin stood nearby, flipping through a stack of old floor plans that had been recovered from the county archives. None of them included the princess pit, the conditioning shaft, or the secret ventilation tunnel. The official blueprints ended at the porch. “What if there’s more?” May asked.

Howerin looked up. You think there’s another room? I think they built this house with places meant to hide people, not things.
She crossed the room and stepped onto the exposed subf floor. Beneath the torn carpet was a grid of joists, insulation, and dirt. In one corner, under where the couch used to sit, she noticed a grate that didn’t match the others. a rusted rectangular panel held down by bolts, not screws. Howerin

came to her side.
“You ever seen a vent sealed like this?” May asked. He crouched and ran his hand along the metal. Number not for HVAC. Could be access to plumbing or something else. May grabbed a wrench and went to work. The bolts were old, rusted through. One by one they gave way until finally she pried the panel

free. Beneath was a tight square tunnel sloping downward.
Maybe 2 feet high, pitch black inside with a faint scent of clay and rot rising from the depths. No duct work, no wiring, just a tunnel cut into the dirt, shored up with wood panels and rebar. Jesus, Allerin muttered. This goes under the foundation. May slid in without hesitation.

Howerin grabbed a flashlight and followed. The tunnel descended gradually for about 20 feet, then leveled into a low, narrow corridor reinforced with plastic siding and chicken wire. A rat darted past May’s hand. She didn’t flinch. The air grew colder. They reached a dead end, a woodplanked wall

sealed tight with an old padlock drilled directly into the studs. May turned to Howerin.
This wasn’t for ventilation. Howerin nodded grimly. This was a holding space. He radioed the team above for bolt cutters. Within minutes, a tech arrived, crawling halfway into the tunnel and passing the tools to Howerin. The lock snapped with a loud crack. Howerin pulled the panel open. Behind it

was a buried room. 8x 10 ft.
wood floor, insulated walls, no light fixtures, no windows, just the smell of damp earth, mildew, and something else beneath it. Something metallic and old blood maybe, or rust. In the center of the room sat a small wooden rocking chair, child-sized. May entered first, shining her light along the

walls. There were scratches, thousands of them.
Not words, not drawings, just desperate claw marks everywhere. Then she saw the bed frame in the corner, low, rusted. On top of it, a blanket sewn with princess crowns and pink thread, tattered, molded. Underneath something wrapped in plastic sheeting. May stopped breathing. Howerin stepped beside

her, his face hardening. Stay back, he knelt, pulled on gloves.
unwrapped the edge of the sheeting. Inside, bones small, curled into a fetal position, and clutched in the child’s hands, still intact, miraculously, a tiny ceramic butterfly. May fell to her knees, her eyes wide. “I gave her that,” she whispered. “I dropped it through the grate. When she cried at

night, I gave it to her.
” She reached for it, but Howerin gently pushed her back. We’ll preserve it, he said. May, I’m sorry. She didn’t respond because she wasn’t looking at the bones anymore. She was looking at the wall behind the bed where someone had etched with their fingernail or a nail or a broken shard of

something. I was the fourth.
My name was Kala. Please don’t forget me. That evening, the remains were bagged, tagged, and sent to the county coroner. DNA testing would follow, but everyone in that crawl space already knew who it was. Howerin gave May a ride back to her motel. They didn’t speak until the car was parked. He

looked at her carefully.
Do you want to testify if this goes to trial? She shook her head slowly. I want to bury her. I want to give her a name. I want to put a stone in the ground and mark it with her real name, not a number, not a failure. Kala Howerin nodded. You’ll get that. As he started the car again, May stared out

the window and whispered, “She remembered me.
” Back in her motel room, May sat on the bed, staring at the butterfly. The ceramic was cracked, but the paint was still bright. A blue swirl on each wing. A happy face on the center. She had made it in first grade. a Mother’s Day gift, but her mother never took it, so she gave it to the girl in the

wall, and Calla had held it until the end. The phone buzzed again. Unknown number. You dug too deep.
Now the others will come. May didn’t reply. She turned the phone off, walked to the bathroom, and flushed the SIM card down the toilet. Then she sat in silence. And somewhere far off in her memory or in the echo of the bones they had just unearthed, she heard that old knock again. Four taps, then

three, then one. May 9th, 2024.
Location, May’s childhood bedroom. 1,120 Firebrush Lane. May hadn’t returned to her childhood bedroom since the day they were taken from the house. Back then, it had been a hoarder’s nest of rotting blankets, dolls with missing eyes, and the sharp sour scent of mold climbing up the walls like ivy.

But now, with the debris cleared and the sun filtering through the cracked window, it looked almost normal. Almost. She stepped inside slowly, scanning the stripped walls, the gouged floorboards, the discolored corner where a space heater once started a small electrical fire. The built-in closet

still stood, warped, but intact.
Inside was a shelf where May used to hide drawings she didn’t want their father to find. He hated scribbles, called them rebellion. She opened the closet and knelt before the shelf. Her fingers touched something soft wedged in the corner. A stuffed rabbit stiff with age, its eyes clouded with dust.

She turned it over. Sewn into the back crudely was a patch made from pink corduroy. She tugged at the thread.
It unraveled. Inside the lining was a small notebook wrapped in plastic. May stared at it, breath caught in her throat. The notebook was no bigger than a deck of cards bound with blue yarn. Pages curled and stained. On the first page, in child’s handwriting, if I’m not here, I’m still here. Find the

butterflies. They show the way. I am Calla.
I was loved once. May’s hands trembled. She flipped through the pages. They were filled with drawings, butterflies, spirals, stars, and beneath each one, a name. Not hers, not Marks, not Bethy’s, but others. Angela, pink butterfly, Tessa, green butterfly, Meera, orange spiral, Eve, double star, me,

blue butterfly, alone.
Each drawing was placed next to a number and a location beneath the stairs under the shed inside the trailer behind the wall in the furnace room. May flipped to the final page. If I’m gone, tell them I remember. Even when they tried to take it away at the sheriff’s office, she sat across from

Howerin, the notebook open between them. He had read every page twice.
Are these names of other children? he asked. “I think so,” May said. Kala wasn’t the only one. Howerin stood and paced. “Why wasn’t any of this in the case file? Why didn’t CPS catch it?” “Because they weren’t looking for anyone who didn’t officially exist,” May answered. “They rescued three kids.

That’s what they came for.” Calla was already in the crawl space.
Maybe the others had already been moved or worse. Howerin ran a hand through his hair. We need to excavate every single spot, she mentioned. May pointed to one of the drawings. This says mirror trailer next to the fan. That’s where I found the index card. There could be more in there. And the shed.

May nodded. That was always locked. We weren’t allowed to go near it. Dad said it was the burn house. Howerin didn’t respond.
He picked up the radio and called in a forensic crew. Bring everything, and I mean everything. 3 hours later, the trailer was opened again. Inside, behind the rusted utility fan buried in a false panel, they found three more index cards identical to the one that read unnamed bright hair.

These read subject number five, Tessa, too small. Relocated. Subject number seven, Meera, defective. Quiet room. Subject number eight, Angela. Compliant. Transferred. May stared at the word relocated and felt her stomach turn. Howerin crouched beside the forensic tech. What the hell were they

doing? May said nothing because deep down she already knew this wasn’t just about abuse.
This was a system, a selection process, and her parents hadn’t been the only ones involved. That night, May sat in the motel room with a notebook spread across the bed. She’d laid out the butterfly codes. Each symbol led to a place. Each place had once hidden something or someone.

She traced her fingers across Kella’s entry again. “Me, Blue Butterfly, alone,” May whispered. “You weren’t alone.” She looked at the entry below it. It wasn’t a name, just a single sentence. There was one more, but I never saw her face. I think she lived in the wall. May froze. She turned to the

photo again, the one from the rescue. zoomed in to the left corner of the image, far behind the porch, a sliver of a second face, blurred, almost camouflaged by the siding of the house. Too small, too shadowed.
But it was there, another child. Not Kala, not May. Another girl, one who had never been seen again. May 10th, 2024. Location 1,120 Firebrush Lane, West Wall. The photograph wouldn’t stop burning in May’s head. That blurred sliver of a face, nearly lost in the shadow of the porch column, tucked

behind a rotting plank. It wasn’t Calla.
It wasn’t anyone May could name. Yet there she was, another child, watching. May stood in the backyard the next morning, the photo printed on glossy paper enlarged and circled. She held it up against the siding of the west-facing wall, comparing the angles. The wood had warped over the years, but

she could still make out the exact slat where the eye had appeared. Fourth one down two boards over from the corner.
She was inside the wall, May whispered. Howerin arrived minutes later, sipping his usual bitter coffee, eyes red from lack of sleep. You really think this is another kid? I know it is. He looked at the photo again. This shot was taken the day you three were pulled from the house, so either she was

hiding or she was trapped. May nodded.
Calla wrote about her in the notebook. She said she never saw her face. Only heard her move behind the wall. Called her the one who doesn’t speak. Howerin stared at the sighting. “We’ll get the team,” he said. By afternoon, a demolition team stood along the west wall. Howerin supervised, gloves on,

flashlight in hand. May refused to leave.
They began pulling boards one by one, carefully documenting everything. Beneath the wood siding was the insulation, damp, moldy, nestriddled. Then a hollow thud. One of the techs stopped, knocked again, different sound. Not drywall, not brick, a cavity. They pulled the insulation back.

Behind it was a hidden hatch, no bigger than a filing cabinet door, nailed shut from the outside with splintered rusted finishing nails. There was no visible handle, just a strip of worn pink ribbon stapled to the top like a makeshift pull cord. The tech pried the nails free. Dust poured out. Then

the door gave way with a low groan. The flashlight beam caught a pair of broken slats arranged like shelves, a flattened pillow, tattered bedding, a plastic Hello Kitty cup, and in the far corner, a name scratched into the wood. A lease, May gasped. That’s her.

Beneath it, a tally. Hundreds of them etched one by one. Some crossed out, some circled. A code only the girl inside would have understood. And beside the tally marks etched in jagged lines. Not seen, not chosen, not pretty, not loud. Still here, still me. Howerin crouched. My god, this was a

confinement cell.
May stepped inside before anyone could stop her. The space was barely large enough to crouch in. The air was dead. Every surface had been clawed at as if someone spent years trying not to disappear. She found another item on the shelf, a torn photograph. Three girls standing in front of the house,

all strangers. One of them held a paper crown.
Another wore a tag number nine. May turned it over on the back in red ink. They took the ones who listened. That night, May sat in Howerin’s office with all the recovered materials, Kala’s notebook, the index cards, the torn photo from the wall. Howerin ran a hand down his face. Nine children, may

at least nine. 10, she said softly, including Elise.
He looked up. We haven’t found remains. We haven’t found her at all. Howerin hesitated. You think she’s alive? I think she was never meant to be found. May flipped through the notebook again. On one of the final pages was a butterfly marked in gray. Next to it, a name had been scraped off. Only the

word remained.
Static, and beneath that, the wall girl doesn’t speak, but she listens and she records. The next morning, a forensic technician returned from processing the furnace room. She dropped a bag on the table. Inside, a tiny magnetic microphone lodged behind one of the floor vents. Rusted but intact. I

think she was bugging the house, the tech said.
Old tech, but still it would have picked up everything. May’s heart thutdded. They checked the west wall, found two more. In a lease’s hidden space beneath the floorboards was a cracked tape recorder. Its wheels jammed, its plastic warped with age. Inside a cassette labeled in pencil, I am still

here. May 11th, 2024.
Location, Floyd County Sheriff’s Office. Evidence room. The cassette tape clicked into the deck with a soft clunk. May sat across from Howerin in the sheriff’s evidence room. A digital recorder was running to preserve the output. The tape had been cleaned, dried, and rewound by techs who specialized

in degraded analog media.
But May already knew whatever was on it was meant to survive. The machine hissed to life, a burst of static. Then a voice, small horse, barely audible. My name is Elise. I live in the wall. I am not supposed to speak, but if you’re hearing this, I’m still here. May gripped the arms of her chair.

They put me behind the furnace first. It was cold. I cried too loud.
Then they moved me to the crawl space. I counted the spiders. When I learned to stop crying, they gave me the wall. I was quiet. I was still, so they let me listen. Howerin leaned forward. The other kids didn’t last long. Some ran, some got sick. One girl stopped eating. Calla was the one who

hummed. I liked her. The voice paused.
You could hear breath, staggered, shallow. He said I was a good ghost, a watcher, a recorder. He said if I was still enough, I’d get to stay, that the others were failures, that I was functioning static. May’s blood went cold. They made me record what the others did, what they said. I had a button.

If they disobeyed, I was supposed to press it. Sometimes I did.
Sometimes I didn’t. When Kala disappeared, I stopped pressing it. Another pause. Then a quiet scratching sound like someone fidgeting with the mic. This is my last tape. If they find it, I’ll be gone. But maybe you’ll hear me. Maybe you’ll remember me. Because if I disappear and no one remembers me,

then maybe I really wasn’t ever real. The tape hissed.
Another sound like footsteps or a door creaking. Then her voice again. Urgent now. Don’t look under the back steps. That’s where they bury the ones that don’t listen. Look behind the tree. The one with the broken swing. That’s where I saw the papers. Click. Silence. The tape ended. May stared at

the machine, fists clenched.
She tried to warn someone, even if it killed her. Howerin nodded slowly. We need to find that tree. That afternoon, May and Howerin returned to 1,120 Firebrush Lane with a cadaavver dog and a forensic dig team. The backyard was overgrown. Kudzu, rusted chain link, thorn bushes that hadn’t been

trimmed since the mid90s, but May saw it instantly.
The tree with a broken swing, a twisted cottonwood half dead, its branches bowed like shoulders, and beneath it, a tangle of roots and overturned earth. The dog alerted within minutes. Shovels scraped down. At 2 ft, they hid a rusted lock box. Inside were papers, yellowed, creased, and water

damaged, but readable. Howerin opened the folder carefully. Typed letterhead St.
Augustine Center for Behavioral Alignment Date September 1985. Subject number six, Alise has shown extended tolerance to long-term isolation. Receptivity to conditioning remains above threshold. Another page. Phase three candidates should be selected based on obedience over emotional affect.

Previous failures i.e. Kala demonstrate that affection is not predictive of loyalty.
May stared in disbelief. This wasn’t just abuse, she said quietly. It was research. Howerin flipped to the last page. A table of names. Subject number three, May. Subject number four, Kala. Subject number five, Tessa. Subject number six, Elise. Subject number seven, Meera. Each followed by a final

outcome.
May integrated Tessa relocated Mera quiet room a lease retained Kala expired. The word made May recoil expired like she was milk. That night May sat in the motel bathtub with the water off the notebook on her knees and the tape deck on the floor. She listened again, not to Elise this time but to

the background. Between the words, between the breaths, was a faint sound. Click, were beep.
May scrambled to her laptop and isolated the background audio. Boosted it. It wasn’t white noise. It was a keypad. She wrote it down. Four clicks. Pause. One click. Three clicks. Two clicks. A code. Back at the house, the old pantry door in the kitchen had a lock.

Everyone assumed it led nowhere, but May remembered they were never allowed inside. She returned at dawn, entered the code into the digital lock installed after the fire inspection in 1985. 4132 click. The door creaked open. Behind it, not shelves, not food, but stairs. Descending into something no

one knew was there. May 12th, 2024. Location 1,120 Firebrush Lane, sublevel chamber. The stairs groaned beneath May’s weight.
Dust thickened with every step, choking the air like ash. The light from her phone flashlight bounced off walls that weren’t stone or concrete, but soundproofed foam stapled in overlapping layers, like a recording booth. The temperature dropped the deeper she went. The silence so complete it felt

like a physical thing pressing against her skin.
At the bottom, the hallway turned left, then right, then stopped. May stood before a steel door bolted shut from the outside. A small circular window, wire reinforced, offered no view inside. But on the door’s surface, someone had scratched three letters. S A C St. Augustine Center. She turned the

wheel lock.
It resisted, then gave with a reluctant clang. The door opened into blackness. Her flashlight pierced the dark. The room beyond was windowless, soundless, dry. A metal chair sat in the center of the floor, bolted down with two cloth restraints still tied to the arms. Nearby, a desk. On top of it, a

reeltore recorder, wires strewn like veins.
May stepped forward, heart pounding. There were seven reels, each labeled by hand. Subject number one removed. Subject number two transferred. Subject number three integrated. Subject number four expired. Subject number five relocated. Subject number six static. Subject number seven quieted. She

stared at number six. Static. Alise.
There was no player, just reels. No way to listen without processing. But beneath the reels was a clipboard. The top page was a log sheet dated between 1983 and 1986. Each entry was a session. Voice conditioning, obedience trials, response to deprivation, static monitoring. At the bottom, one entry

stood out.
June 9th, 1986. Induction failure. Subject removed to wall chamber. Observation ceased. Documentation sealed. The date burned into May’s mind. That was the week CPS removed her, Bethany, and Mark from the home. They never made it down here. No one did. Footsteps echoed from above. Howerin appeared

in the stairwell, flashlight in hand. His breath caught as he stepped into the chamber.
“What the hell is this?” he whispered. May handed him the clipboard. He scanned the entries. “This is this is clinical. This wasn’t just your parents. This was organized, and it didn’t stop here.” May nodded slowly. They used our house as a trial site. Howerin stared at the chair.

Why here? Why kids? Because no one was looking, May said. Because no one listens to kids, especially not kids who were already broken, he swallowed. This is bigger than local jurisdiction. May pointed to a symbol carved into the recorder. A butterfly split in half. Calla knew, she whispered. So did

Elise. That’s why they tried to record everything. Howerin pulled out his phone and snapped photos.
We’ll get this processed. Chain of custody. And I’m alerting state investigators. As he moved toward the stairwell, May lingered by the chair. Her hand hovered over the restraint. And then she saw it carved into the underside of the chair. My name was Elise. not static. Two days later, the story

broke nationwide.
Headlines called it the butterfly case, a hidden conditioning program. Children selected for their compliance. Locations buried under abandoned homes, schools, and church shelters. May’s house had been one of many, but there was no record of who authorized it. The original staff files from St.

Augustine had been lost in a fire in 1987. No arrests were made, just a wave of silence and a new list of questions. On May 17th, May buried Kala. A headstone was erected at the edge of a rural cemetery beneath a weeping pine tree, carved into it, Kala Dawson. 1981 to 1986, she remembered. And now

so will we. Mark and Bethany came. So did Howerin.
A few survivors from similar institutions attended anonymously, leaving butterflies made of folded paper beside the grave. May stayed behind after everyone left. She placed the ceramic butterfly, the one Calla had clutched, at the base of the stone. Then she turned to the small velvet box in her

pocket. Inside a tag marked number six. She buried it next to the grave. One for Calla, one for Elise.
That night, back in her apartment, May opened her laptop. She had scanned and uploaded every document, the notebook, the tapes, the log sheets. She created a folder titled Project Butterfly and set it to public. Then she sat in the dark and waited. At 217 a.m., a message pinged. Unknown user, I was

subject number nine. I remember the tree. I remember her voice.
Where do we go next? May stared at the screen and typed, “We dig, we name, we remember, and we never let it happen again.” May 18th, 2024. Location: State Forensics Lab, Indianapolis, Indiana. The realto-re tape labeled subject number six. Static took nearly 48 hours to restore. The metal casing was

warped.
The ribbon had fused in spots, but the data was intact inside a sterile sound lab. May and Howerin sat behind a pane of soundproof glass while technicians queued up the reel. This is the last known recording made by Elise. The tech said it’s dated June 8th, 1986, one day before the removal. The

machine clicked on, then silence, then Alisa’s voice, calmer than before. older, if you’re listening.
I wasn’t meant to survive. They gave me the wall, but I was never asleep. I saw everything. A mechanical hum filled the background. Maybe the recorder, maybe something deeper. They said they were watching us from the center, a place with glass doors and no clocks. Calla said they took her there

once. Said a woman with red hair made her choose between a doll and a wire.
She chose the doll. So they called her defective. May’s hands clenched. I think they were studying how we broke. The ones who cried, were sent to the quiet room. The ones who obeyed got names. Kala tried to help me. She left notes through the great. She told me to hold on. The tape hissed, then

continued. The last night I heard them fight, the man and the woman.
He said, “You let her get too close to the wall, girl.” She said, “They’re just numbers.” Then someone screamed. A door slammed. I never heard Calla again. Howerin looked sick. May said nothing. She was still listening. I stayed quiet. I pressed the button.

I let them think I was still, but the last thing I recorded was someone new, a girl crying in the furnace room. She said her name was Juniper. She never got a number. May’s breath caught. Howerin sat up. Juniper. They took her the morning you all were rescued. Said she didn’t count. Said no one

would miss her. I think they buried her under the shed. The tape clicked.
Then Elise whispered one final sentence. Please don’t let me be the last one remembered. May and Howerin returned to the property with a full excavation team. The shed had partially collapsed over the years. Beneath its concrete floor, ground penetrating radar revealed disturbed soil. At 3 ft down,

they found fragments of a pink rubber sandal, a lock of hair tied in yellow string, and the corner of a child’s dress, faded, but intact.
Forensics confirmed what May already knew. Juniper had existed. Even if no one ever filed her name, even if no system recorded her, she had been the 11th, the one after a lease, the one who was never supposed to be seen. On May 21st, May held a second burial. No last name, no records, no

photograph, but a name carved into the new headstone.
Juniper, the one they never numbered. That night, May added a new entry to the public folder. She titled it subjects number one through number 11. Remembered. Inside, each child’s name, real or chosen, was matched with their last known location, the symbol they’d left behind, and what little was

known about them. Elise, Calla, Meera, Tessa, Angela, Juniper, each with a butterfly.
May hit upload, then closed the laptop and walked to her window. Outside, the street was quiet, but in her hand, she still held the last note Kala had ever written. They tried to make us forget each other, but we stayed in the walls, in the noise, in the wings. May whispered it aloud, then folded

the paper into a butterfly, and let it drift onto the wind. June 22nd, 2024.
Location: Butterfly Circle: National Memorial for Forgotten Children. One month later, on a quiet green hillside in Floyd County, a circle of smooth gray stones was arranged beneath a copper sculpture. The statue, 12 ft tall, resembled a child’s hand releasing a swarm of butterflies, each one formed

from salvaged metal, vent covers, old tape reels, scorched bits of duct work recovered from condemned houses across the Midwest.
At the base of the monument, a plaque read in memory of the unnamed, unnumbered, unchosen. You were not forgotten. You were not static. You were never defective. You were children. And you were loved. May stood at the edge of the circle, clutching a worn notebook in her hands. Calla’s notebook.

Behind her, families gathered. Some were survivors, others descendants of those who vanished.
A few had driven hundreds of miles just to be there. Some held paper butterflies. Others held photographs of children whose names had never been written down. Mark and Bethany came too, standing a little apart. Bethany had started therapy. Mark was volunteering now at a missing children’s

nonprofit. Howerin stood nearby, dressed in civilian clothes.
He’d turned in his badge 3 days earlier. “They called you today,” he said quietly to May. “The task force,” she nodded. “I’m not joining.” “You sure?” May opened the notebook. “I’m making my own list,” she said. “The one still missing. The place is not yet searched. There’s more than just this

house.” Howerin looked at her carefully.
“You really think this was just one sight?” May looked toward the treeine where a red ribbon marked another location being scanned by ground penetrating radar. I think there are dozens. 2 hours later, May knelt before Kala’s headstone again. She placed a fresh ceramic butterfly at its base. A young

girl, no older than nine, stood beside her. She was from Ohio.
Her mother had driven her 5 hours to be here. She’d brought a drawing of a butterfly with three eyes and no mouth. “It was in my dream,” the girl whispered. The girl in the wall gave it to me. “May didn’t flinch.” “What was her name?” she asked. The girl shrugged. She didn’t say, but she wasn’t

scared. She said I had to remember the shapes. May took the drawing and gently folded it into the notebook.
That night in her apartment, May opened a clean journal. On the first page, she wrote, “The fourth child was never named, but she was never alone.” She numbered the next blank line. Subject number 12: Unknown. Reported in Missouri. Symbol: Three-Eyed Butterfly. Then she opened her laptop and began

searching again.

Piers Morgan and Tommy Robinson were involved in an ugly social media spat following Saturday’s rallies in the UK over the weekend

Piers Morgan labelled Tommy Robinson a bottle job(Image: Ken McKay/ITV/Shutterstock)

The intense vitriol between Piers Morgan and Tommy Robinson has continued following the huge UK rallies over the weekend.

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Tommy Robinson’s ‘Unite the Kingdom’ protest on Saturday so hundreds of thousands take to the streets, and Tommy also called for the dissolution of Parliament in his latest attack on Keir Starmer.

 

After the events, former Good Morning Britain presenter Piers, 60, took to social media to share his thoughts. On Twitter /X, Piers shared an aerial view of the jam-packed streets.

 

He wrote: “To condemn all these people who attended yesterday’s @TRobinsonNewEra as far-right thugs is false. Just as it’s false to say they were all a bunch of angelic choristers. Many were there because they genuinely care about their country, failed immigration policies and free speech.”

 

Tommy Robinson hit out at Piers Morgan(Image: Tim Merry/Staff Photographer)

However, Tommy, whose real name is Stephen Yaxley, responded by slamming Piers for what he said was “riding the wave”. The 42-year-old reposted Piers’ comment and said: “Don’t try riding the wave you w**ker @piersmorgan.

“People like you made it impossible for people to speak out with your baseless labels “racist “ Islamophobe” “far right “ you have been part of the problem not the solution.”

But Piers wasn’t prepared to let the comments go and was quick to continue the bickering. He replied: “Pipe down, Bottle Job. You’re not a wave I ever want to ride.”

And then, with a proposition for his foe, Piers added: “But if you grow a pair, I’m still up for doing the interview you keep ducking.”

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During Saturday’s rallies, Elon Musk appeared on a big screen with a message. However, he has been slammed for telling a far-right rally that “violence is coming” to the UK.

The tech billionaire made the inflammatory comments at Tommy Robinson’s “Unite the Kingdom” protest on Saturday, where he also called for the dissolution of Parliament in his latest swipe at Keir Starmer’s Government.

Business Secretary Peter Kyle said of the rallies: “I thought that they were slightly incomprehensible comments that were totally inappropriate. But what we saw yesterday was over 100,000 people who were expressing freedom of association, freedom of speech, and proving that both of those things are alive and well in this country.

“A small minority of people who are protesting committed acts of violence against our police for which they should and they will be held accountable.”

It’s said that between 110,000 and 150,000 people turned out for the rally, while around 5,000 anti-racism campaigners mounted a counter-protest.

Following the events, Home Secretary Shabana Mahmood condemned violent scenes after protesters clashed with police. She vowed that anyone “taking part in criminal activity will face the full force of the law”.