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The playoff atmosphere between the Indiana Fever and the Las Vegas Aces had already been reaching a fever pitch, but when footage surfaced allegedly showing A’ja Wilson taking a physical shot at Lexie Hull, the entire WNBA world stopped in its tracks.

What was meant to be a heated but fair contest has now spiraled into a controversy that is dominating conversations both inside and outside the league.

The clip in question began circulating across social media shortly after the Fever’s win. Fans caught the moment from multiple angles: Wilson, visibly frustrated after being stifled possession after possession, appears to throw an arm into Hull’s chest while the Fever guard tried to fight through a screen.

While on first watch it might have looked like a routine collision in a physical playoff game, the slowed-down replays tell another story. The deliberate shove, the look on Wilson’s face, and Hull stumbling back into the hardwood painted a different picture—one that ignited outrage.

Lexie Hull, known for her grit and relentless perimeter defense, popped right back up after the incident, brushing it off and getting back into the play. But her toughness didn’t stop fans and analysts from calling out what they saw as a blatant act of aggression from Wilson. Some even accused the referees of turning a blind eye, suggesting that the league’s MVP was getting preferential treatment by not being ejected on the spot.

Caitlin Clark’s stunned reaction quickly went viral. Cameras caught her with her hands on her head, mouthing words of disbelief as the replay played on the jumbotron.

Clark, who has endured plenty of hard fouls herself during her rookie campaign, looked visibly concerned for her teammate. In the postgame presser, she didn’t mince words: “I thought Lexie handled it like a pro, but that’s the kind of stuff that doesn’t belong in the game. Everyone saw it.”

The Fever locker room rallied around Hull after the final buzzer. Sophie Cunningham posted on Instagram with a picture of Hull captioned, “Toughest teammate in the league. Nothing can break her.

” Kelsey Mitchell added fuel to the fire by tweeting, “We’re not scared of ANYONE. Keep trying us.” Clearly, the Fever felt they had just won more than a playoff game—they had won the respect of fans by refusing to back down against the defending champions and their star.

Meanwhile, Las Vegas’s camp went into immediate damage control. Aces coach Becky Hammon downplayed the moment, brushing it off as playoff intensity. “That’s basketball,” she said. “It was physical both ways. I don’t think there was any malicious intent.” But fans weren’t buying it. Hashtags calling for the WNBA to review the footage trended within hours, with clips racking up millions of views across TikTok, X, and Instagram.

The league office hasn’t officially commented yet, but pressure is mounting. Wilson is not only the face of the Aces, but also one of the WNBA’s biggest stars. Suspending or fining her would send shockwaves through the playoffs, but doing nothing could risk further alienating fans who already believe the league plays favorites.

Lexie Hull herself stayed classy when asked about the incident postgame. “It’s playoffs. It’s physical. I’m fine,” she said with a smile. But even that cool-headed response couldn’t erase the replay footage from everyone’s minds.

Analysts like Stephen A. Smith and Monica McNutt debated the play on national TV, with Smith calling it “a straight-up cheap shot” while McNutt countered that the league must walk a fine line in preserving intensity while protecting players.

Clark’s protective side shined through in the aftermath. Sources close to the team said she checked on Hull repeatedly after the game, even joking with her teammate to lighten the mood but also making it clear that she wouldn’t tolerate anyone taking liberties against the Fever.

“She’s my sister on the court,” Clark reportedly told one insider. “I don’t care if it’s the MVP or a rookie, nobody puts their hands on Lexie like that.”

What makes this even more controversial is the broader narrative around the Fever’s rise. The WNBA has been accused of resisting the Fever’s underdog story, with fans feeling like the league prefers to market certain established stars over Clark and her squad.

Now, with footage showing one of the league’s chosen MVPs in the center of a storm, conspiracy theories are flooding timelines. Some fans believe the league won’t punish Wilson no matter what, claiming that “protecting the brand” comes before fairness.

Inside Gainbridge Fieldhouse, Fever fans are already preparing for a raucous atmosphere when the series shifts back to Indiana. Chants of “Protect Lexie” and “Suspension” are expected to echo through the stands, and the Fever organization may even lean into the controversy to fuel their rallying cry.

Hull’s tough-as-nails persona makes her an easy hero for Indiana’s passionate fanbase, and being on the receiving end of Wilson’s shove may only elevate her status further.

For Wilson, the fallout could be damaging beyond the playoffs. Her reputation as a competitor is second to none, but this incident risks painting her as a sore loser who crossed the line. Critics argue that with her MVP credentials, she should set an example—not lash out in frustration when being contained by younger, hungrier players. If the WNBA rules against her, it could put a permanent mark on her legacy.

For the Fever, though, this entire moment may end up galvanizing the squad. Already viewed as underdogs, they’ve now been given another reason to bond together and play with an “us against the world” mentality. Hull’s resilience, Clark’s leadership, and Boston’s dominance in the paint give Indiana plenty of weapons to keep the upset story alive. The controversy may have just added gasoline to an already burning fire.

The coming days will be critical. The WNBA will have to decide whether Wilson faces discipline, and fans will be watching closely to see if the league applies its rules equally to all players. Regardless of the outcome, the footage has already gone down as one of the most talked-about moments of the 2025 postseason.

And for the Fever, it’s just more proof that their run is not only about basketball—it’s about shifting the balance of power in a league that desperately needs new storylines.

The Indiana Fever have shaken the WNBA to its core after delivering a statement victory in the semifinals, and at the center of it all was none other than Caitlin Clark. The rookie superstar, often doubted and relentlessly targeted throughout the season, showed fire, passion, and leadership that stunned not only the Las Vegas Aces but also the millions of fans watching around the country.

The defending champions were supposed to roll through the series behind MVP A’ja Wilson, yet what unfolded on the court left everyone questioning whether the Aces’ dynasty is starting to crack under the pressure of this fearless Indiana squad.

From the opening tip, the Fever played with a level of urgency and confidence that immediately signaled they were not intimidated by the stage. Caitlin Clark came out with energy, barking at teammates, directing traffic, and letting the Aces know she was there to compete.

Her intensity was contagious, fueling the Fever’s offense and sparking the crowd into a frenzy. Every time Wilson tried to impose her will in the paint, Aliyah Boston met her with physicality, forcing missed shots and exposing cracks in Las Vegas’s usually dominant attack.

Clark’s shooting was electric, but her playmaking might have been even more devastating. She carved up the Aces’ defense with pinpoint passes, finding Kelsey Mitchell on the wing and NaLyssa Smith cutting inside. By the end of the first half, Indiana held a lead that silenced the Vegas crowd, and Clark’s fist pumps and yells after each basket showed just how fired up she was to make a statement in her first playoff run.

Meanwhile, A’ja Wilson—the reigning MVP—struggled in ways few had seen all year. Boston’s defensive discipline forced her into contested looks, and the Fever repeatedly sent double teams at just the right moments.

Every time Wilson tried to gather momentum, Indiana answered with a clutch shot or a defensive stop that shifted the energy back in their favor. Fans online immediately began circulating clips of Wilson’s frustration, as she could be seen shaking her head and shouting in the huddle.

The game turned into a showcase of exactly what makes this young Indiana team so dangerous. Mitchell caught fire in the third quarter, raining down three-pointers while Clark orchestrated the offense like a seasoned veteran. The Fever’s defense, long criticized earlier in the season, looked locked in and unrelenting. Even bench players stepped up, diving for loose balls and making hustle plays that outworked the supposedly deeper Aces roster.

Clark, who has dealt with months of harsh criticism, media narratives, and opposing players taking extra shots at her, looked like she had been waiting for this moment all year. Every assist, every three-pointer, every shout toward the crowd seemed like a release of the frustration she’s carried since entering the league.

She was not just playing basketball—she was sending a message: the Fever are no longer a rebuilding project, and she is no longer just a rookie trying to find her footing.

By the fourth quarter, the Aces were scrambling. Chelsea Gray and Jackie Young tried to will their team back into the game, but Indiana refused to collapse. Clark nailed a dagger three from deep range with just over two minutes left, and the roar inside the arena felt like the sound of a new era beginning.

As she jogged back down the court, pounding her chest, the cameras caught the fire in her eyes—a look that screamed that she knew exactly what this victory meant.

The final buzzer brought an eruption from the Fever bench. Teammates mobbed Clark, Boston, and Mitchell as fans online immediately declared it one of the most shocking playoff upsets in recent memory. Social media exploded with clips of Clark’s fiery reactions and Boston’s lockdown defense on Wilson, with hashtags like #FeverRising and #ClarkEra trending within minutes.

But beyond the excitement of one game, this victory carries much deeper implications. The Aces, once seen as an unstoppable juggernaut, suddenly look vulnerable. Wilson’s struggles exposed how much the team relies on her dominance, and the Fever proved they can disrupt that formula with smart, disciplined basketball

. On the other hand, the Fever have shown that their rebuild is not just ahead of schedule—it might already be complete. With Clark leading the charge, Boston anchoring the paint, and Mitchell providing veteran scoring, this team looks like a legitimate contender, not just an upstart.

For Clark personally, this game may go down as the night she silenced her doubters. Critics who claimed she couldn’t handle the physicality of the WNBA, who questioned her leadership, and who accused her of being overhyped had to watch as she tore apart the defending champions on their own floor.

She wasn’t just effective—she was the emotional center of everything Indiana did, showing fire, grit, and confidence that players often take years to develop.

Fans are already buzzing about the possibility of Indiana making a deep run, and the comparisons are flying fast. Some are calling this Clark’s “arrival moment,” likening it to when legends like Diana Taurasi or Sue Bird first stamped their presence on the playoffs. Others are focusing on the Fever as a whole, arguing that this team is about to usher in a new era of parity in the league, breaking the Aces’ hold on dominance.

What’s certain is that the WNBA has been given a gift: a rivalry that could define the next several years. Clark versus Wilson. Indiana versus Las Vegas. Youth versus experience. Every time these teams meet, the stakes will be enormous, and the storylines will write themselves.

As the Fever celebrated in the locker room, reports say Clark gave an impassioned speech, reminding her teammates that one win doesn’t guarantee anything, but it proves they belong. That kind of leadership, from a rookie no less, is exactly why Indiana’s future looks so bright. She is no longer just the star attraction filling arenas—she is the competitive heart of a team that believes it can take down anyone, even the mighty Aces.

If Game 1 was any indication, the semifinals are going to be an all-out war. The Aces will surely adjust, Wilson will surely bounce back, and the battle between these two squads could turn into one of the most memorable playoff series in league history. But for now, the spotlight belongs to Indiana, to Caitlin Clark’s fire, and to a team that just shook the WNBA landscape to its very foundation.

The playoff atmosphere between the Indiana Fever and the Las Vegas Aces had already been reaching a fever pitch, but when footage surfaced allegedly showing A’ja Wilson taking a physical shot at Lexie Hull, the entire WNBA world stopped in its tracks.

What was meant to be a heated but fair contest has now spiraled into a controversy that is dominating conversations both inside and outside the league.

The clip in question began circulating across social media shortly after the Fever’s win. Fans caught the moment from multiple angles: Wilson, visibly frustrated after being stifled possession after possession, appears to throw an arm into Hull’s chest while the Fever guard tried to fight through a screen.

While on first watch it might have looked like a routine collision in a physical playoff game, the slowed-down replays tell another story. The deliberate shove, the look on Wilson’s face, and Hull stumbling back into the hardwood painted a different picture—one that ignited outrage.

Lexie Hull, known for her grit and relentless perimeter defense, popped right back up after the incident, brushing it off and getting back into the play. But her toughness didn’t stop fans and analysts from calling out what they saw as a blatant act of aggression from Wilson. Some even accused the referees of turning a blind eye, suggesting that the league’s MVP was getting preferential treatment by not being ejected on the spot.

Caitlin Clark’s stunned reaction quickly went viral. Cameras caught her with her hands on her head, mouthing words of disbelief as the replay played on the jumbotron.

Clark, who has endured plenty of hard fouls herself during her rookie campaign, looked visibly concerned for her teammate. In the postgame presser, she didn’t mince words: “I thought Lexie handled it like a pro, but that’s the kind of stuff that doesn’t belong in the game. Everyone saw it.”

The Fever locker room rallied around Hull after the final buzzer. Sophie Cunningham posted on Instagram with a picture of Hull captioned, “Toughest teammate in the league. Nothing can break her.

” Kelsey Mitchell added fuel to the fire by tweeting, “We’re not scared of ANYONE. Keep trying us.” Clearly, the Fever felt they had just won more than a playoff game—they had won the respect of fans by refusing to back down against the defending champions and their star.

Meanwhile, Las Vegas’s camp went into immediate damage control. Aces coach Becky Hammon downplayed the moment, brushing it off as playoff intensity. “That’s basketball,” she said. “It was physical both ways. I don’t think there was any malicious intent.” But fans weren’t buying it. Hashtags calling for the WNBA to review the footage trended within hours, with clips racking up millions of views across TikTok, X, and Instagram.

The league office hasn’t officially commented yet, but pressure is mounting. Wilson is not only the face of the Aces, but also one of the WNBA’s biggest stars. Suspending or fining her would send shockwaves through the playoffs, but doing nothing could risk further alienating fans who already believe the league plays favorites.

Lexie Hull herself stayed classy when asked about the incident postgame. “It’s playoffs. It’s physical. I’m fine,” she said with a smile. But even that cool-headed response couldn’t erase the replay footage from everyone’s minds.

Analysts like Stephen A. Smith and Monica McNutt debated the play on national TV, with Smith calling it “a straight-up cheap shot” while McNutt countered that the league must walk a fine line in preserving intensity while protecting players.

Clark’s protective side shined through in the aftermath. Sources close to the team said she checked on Hull repeatedly after the game, even joking with her teammate to lighten the mood but also making it clear that she wouldn’t tolerate anyone taking liberties against the Fever.

“She’s my sister on the court,” Clark reportedly told one insider. “I don’t care if it’s the MVP or a rookie, nobody puts their hands on Lexie like that.”

What makes this even more controversial is the broader narrative around the Fever’s rise. The WNBA has been accused of resisting the Fever’s underdog story, with fans feeling like the league prefers to market certain established stars over Clark and her squad.

Now, with footage showing one of the league’s chosen MVPs in the center of a storm, conspiracy theories are flooding timelines. Some fans believe the league won’t punish Wilson no matter what, claiming that “protecting the brand” comes before fairness.

Inside Gainbridge Fieldhouse, Fever fans are already preparing for a raucous atmosphere when the series shifts back to Indiana. Chants of “Protect Lexie” and “Suspension” are expected to echo through the stands, and the Fever organization may even lean into the controversy to fuel their rallying cry.

Hull’s tough-as-nails persona makes her an easy hero for Indiana’s passionate fanbase, and being on the receiving end of Wilson’s shove may only elevate her status further.

For Wilson, the fallout could be damaging beyond the playoffs. Her reputation as a competitor is second to none, but this incident risks painting her as a sore loser who crossed the line. Critics argue that with her MVP credentials, she should set an example—not lash out in frustration when being contained by younger, hungrier players. If the WNBA rules against her, it could put a permanent mark on her legacy.

For the Fever, though, this entire moment may end up galvanizing the squad. Already viewed as underdogs, they’ve now been given another reason to bond together and play with an “us against the world” mentality. Hull’s resilience, Clark’s leadership, and Boston’s dominance in the paint give Indiana plenty of weapons to keep the upset story alive. The controversy may have just added gasoline to an already burning fire.

The coming days will be critical. The WNBA will have to decide whether Wilson faces discipline, and fans will be watching closely to see if the league applies its rules equally to all players. Regardless of the outcome, the footage has already gone down as one of the most talked-about moments of the 2025 postseason.

And for the Fever, it’s just more proof that their run is not only about basketball—it’s about shifting the balance of power in a league that desperately needs new storylines.

In a scathing, no-holds-barred monologue that has set the sports and cultural worlds on fire, comedian and political commentator Bill Maher has dropped what he calls a “truth bomb” on the WNBA, articulating a dark and deeply unsettling endgame for the Caitlin Clark saga.

Speaking on his hit HBO show “Real Time,” Maher didn’t just criticize the league for its treatment of the rookie phenom; he laid out a brutal, logical, and increasingly plausible scenario in which Clark, betrayed and undervalued by the very league she saved, is ultimately “forced” to abandon the WNBA and take her generational talents to the lucrative, adoring, and far more appreciative basketball leagues of Europe.

Maher’s argument, delivered with his signature brand of acerbic wit and incisive logic, is not that of a typical sports analyst. He approached the issue not from a perspective of X’s and O’s, but from one of pure, unadulterated capitalism and human nature.

He began by painting a vivid picture of the WNBA “before Caitlin,” describing it as a “niche, subsidized league” that was, in his words, “more of a cause than a business.”

He then detailed the “miracle” of the Caitlin Clark effect, citing the record-shattering ratings, the sold-out arenas, and the unprecedented mainstream relevance that she single-handedly delivered.

This is where his argument took a dark and provocative turn. Instead of being welcomed as a savior, Maher argued, Clark was met with a “toxic cocktail of jealousy and thinly veiled resentment” from the league’s established players and, more damningly, a stunning level of institutional incompetence from the league’s leadership. He pointed to the now-infamous Rookie of the Year snub as the ultimate act of this “WNBA betrayal.”

“They had a winning lottery ticket,” Maher quipped, “and they decided to use it as a coaster.” He framed the decision not just as a snub, but as a deliberate and hostile message from the league’s old guard: “We don’t want your kind of success here.”

This “betrayal,” Maher argued, is the first and most critical step in a chain reaction that will ultimately drive Clark overseas. The second step is a simple matter of economics.

He laid out the stark financial reality: top European and Chinese basketball leagues can, and often do, offer their star players salaries that are exponentially higher than what the WNBA can currently afford.

For years, WNBA stars have supplemented their modest domestic incomes by playing overseas in the offseason, a grueling schedule that often leads to burnout and injury.

Maher’s “truth bomb” was the suggestion that Caitlin Clark will eventually realize she no longer needs the WNBA at all. “Why would she stay?” he asked, his voice dripping with incredulity.

“Why would the greatest, most popular female basketball player on the planet subject herself to a league that clearly doesn’t respect her, for a salary that is a fraction of what she could be making, in a country where she is treated as a villain, when she could go to Italy or Spain, be treated like a queen, make ten times the money, and play for a league that is actually grateful to have her?”

This is the core of his devastating argument. He is predicting a future where Clark, a savvy businesswoman with a global brand, makes a cold, hard, and entirely logical business decision.

She will weigh the pros and cons: on one side, a WNBA that offers a lower salary, a hostile work environment, and a leadership that has publicly disrespected her.

On the other side, a European league that offers a massive salary, a culture of adoration, and a chance to expand her brand on a global stage. In Maher’s view, the choice is not just easy; it is inevitable. The WNBA’s betrayal is not just pushing her away; it is “forcing” her into the arms of a more appreciative suitor.

This scenario, which would have been unthinkable just a few months ago, now feels chillingly plausible. It is the doomsday scenario for the WNBA, a self-inflicted wound of such catastrophic proportions that it could send the league spiraling back into irrelevance.

The “Caitlin Clark effect” was the tide that lifted all boats; her departure would be the receding tsunami that leaves the entire ecosystem beached and gasping for air. The record-breaking television deals, the new corporate sponsorships, the sold-out arenas—all of it is predicated on her continued presence.

Bill Maher’s monologue has struck such a nerve because it articulates a fear that has been quietly simmering in the minds of many of Clark’s supporters.

It gives voice to their growing sense that the WNBA, as an institution, is fundamentally incapable of handling the gift it has been given. His “truth bomb” is a warning shot, a brutal, unsentimental prediction of what happens when a business betrays its most valuable asset.

The WNBA had a chance to build a dynasty around a queen. According to Bill Maher, their own jealousy and incompetence may have just forced her to abdicate the throne and find a new kingdom.

In a scathing, no-holds-barred monologue that has set the sports and cultural worlds on fire, comedian and political commentator Bill Maher has dropped what he calls a “truth bomb” on the WNBA, articulating a dark and deeply unsettling endgame for the Caitlin Clark saga.

Speaking on his hit HBO show “Real Time,” Maher didn’t just criticize the league for its treatment of the rookie phenom; he laid out a brutal, logical, and increasingly plausible scenario in which Clark, betrayed and undervalued by the very league she saved, is ultimately “forced” to abandon the WNBA and take her generational talents to the lucrative, adoring, and far more appreciative basketball leagues of Europe.

Maher’s argument, delivered with his signature brand of acerbic wit and incisive logic, is not that of a typical sports analyst. He approached the issue not from a perspective of X’s and O’s, but from one of pure, unadulterated capitalism and human nature.

He began by painting a vivid picture of the WNBA “before Caitlin,” describing it as a “niche, subsidized league” that was, in his words, “more of a cause than a business.”

He then detailed the “miracle” of the Caitlin Clark effect, citing the record-shattering ratings, the sold-out arenas, and the unprecedented mainstream relevance that she single-handedly delivered.

This is where his argument took a dark and provocative turn. Instead of being welcomed as a savior, Maher argued, Clark was met with a “toxic cocktail of jealousy and thinly veiled resentment” from the league’s established players and, more damningly, a stunning level of institutional incompetence from the league’s leadership. He pointed to the now-infamous Rookie of the Year snub as the ultimate act of this “WNBA betrayal.”

“They had a winning lottery ticket,” Maher quipped, “and they decided to use it as a coaster.” He framed the decision not just as a snub, but as a deliberate and hostile message from the league’s old guard: “We don’t want your kind of success here.”

This “betrayal,” Maher argued, is the first and most critical step in a chain reaction that will ultimately drive Clark overseas. The second step is a simple matter of economics.

He laid out the stark financial reality: top European and Chinese basketball leagues can, and often do, offer their star players salaries that are exponentially higher than what the WNBA can currently afford.

For years, WNBA stars have supplemented their modest domestic incomes by playing overseas in the offseason, a grueling schedule that often leads to burnout and injury.

Maher’s “truth bomb” was the suggestion that Caitlin Clark will eventually realize she no longer needs the WNBA at all. “Why would she stay?” he asked, his voice dripping with incredulity.

“Why would the greatest, most popular female basketball player on the planet subject herself to a league that clearly doesn’t respect her, for a salary that is a fraction of what she could be making, in a country where she is treated as a villain, when she could go to Italy or Spain, be treated like a queen, make ten times the money, and play for a league that is actually grateful to have her?”

This is the core of his devastating argument. He is predicting a future where Clark, a savvy businesswoman with a global brand, makes a cold, hard, and entirely logical business decision.

She will weigh the pros and cons: on one side, a WNBA that offers a lower salary, a hostile work environment, and a leadership that has publicly disrespected her.

On the other side, a European league that offers a massive salary, a culture of adoration, and a chance to expand her brand on a global stage. In Maher’s view, the choice is not just easy; it is inevitable. The WNBA’s betrayal is not just pushing her away; it is “forcing” her into the arms of a more appreciative suitor.

This scenario, which would have been unthinkable just a few months ago, now feels chillingly plausible. It is the doomsday scenario for the WNBA, a self-inflicted wound of such catastrophic proportions that it could send the league spiraling back into irrelevance.

The “Caitlin Clark effect” was the tide that lifted all boats; her departure would be the receding tsunami that leaves the entire ecosystem beached and gasping for air. The record-breaking television deals, the new corporate sponsorships, the sold-out arenas—all of it is predicated on her continued presence.

Bill Maher’s monologue has struck such a nerve because it articulates a fear that has been quietly simmering in the minds of many of Clark’s supporters.

It gives voice to their growing sense that the WNBA, as an institution, is fundamentally incapable of handling the gift it has been given. His “truth bomb” is a warning shot, a brutal, unsentimental prediction of what happens when a business betrays its most valuable asset.

The WNBA had a chance to build a dynasty around a queen. According to Bill Maher, their own jealousy and incompetence may have just forced her to abdicate the throne and find a new kingdom.

Maya Jama stole the show on Monday night, as she joined Jodie Turner-Smith, Rosie Huntington-Whiteley and Iris Law in leading the stars arriving at Hyde Park for the Burberry show during London Fashion Week.

The presenter, 31, ensured all eyes were on her in an arresting black and navy gown that clung to every inch of her toned figure and displayed her ample cleavage.

She flashed a radiant smile as she twirled for the cameras, revealing the fringed detailing on the skirt and long flared sleeves, and sported a blunt bob and black shades

Jodie, 39, caught the eye in a striking black and white gown featuring intricate feather-like detailing over the skirt and sleeves.

The actress styled it with two black belts to accentuate her tiny waist and large hoop earrings, while sporting a classic victory rolls hairstyle and bold graphic eyeliner.

Rosie, 38, oozed effortless style in a dark navy blue leather trenchcoat, cinched with a coordinating belt.

Maya Jama stole the show on Monday night, as she lead the stars arriving at Hyde Park for the Burberry show during London Fashion Week

Joining Maya at the runway show for the British luxury fashion house was model Rosie Huntington-Whiteley

While actress Jodie Turner-Smith put on an equally arresting display as she arrived at the star-studded runway show

And model Iris Law also was in attendance on the last day of London Fashion Week, before Milan Fashion Week kicks off on Tuesday

The model wore patterned satin trousers underneath and added a pair of red stilettos for a pop of colour, while finishing the look with oversized sunglasses.

She was joined at the runway show by her movie star fiancé Jason Statham, who looked as handsome as ever in a trendy black jacket with leather panels.

The action hero – who has been with Rosie for 15 years and shares two children with her – also sported a bushy salt and pepper beard.

While Iris, 24, opted for a more laidback look, slipping in an oversized silk shirt dress embossed with a paisley pattern and left unbuttoned daringly low.

The model daughter of Jude Law and Sadie Frost layered a trendy tan trenchcoat over the top, elevating the look with strappy green heels and statement silver earrings.

Fellow nepo baby and model, Lila Moss, 22, showed her remarkable resemblance to her mother Kate, as she put on a leggy display in a classic little black dress and sheer tights.

And in a nod to Burberry’s most signature design elements, she added a cropped trench-coat cape over her shoulders and sported heels covered in the fashion brand’s trademark check print.

Ellie Bamber also opted for the famous Burberry Check, sporting a belted khaki leather jacket with the tartan print on the lapels and hem.

The presenter, 31, ensured all eyes were on her in an arresting black and navy gown that clung to every inch of her toned figure and displayed her ample cleavage

She flashed a radiant smile as she twirled for the cameras, revealing the fringed detailing on the skirt and long flared sleeves

The Love Island host also sported an elegant blunt bob hairstyle, while hiding her face behind a pair of black shades

Following her attendance at the event, Maya continued to show off her eye-catching look as she headed to the after party at Chiltern Firehouse

The presenter has been a fixture at swanky events during fashion week

Jodie, 39, commanded attention in a striking black and white gown featuring intricate feather-like detailing over the skirt and sleeves

She styled it with two black belts to accentuate her tiny waist and large hoop earrings, while sporting a classic victory rolls hairstyle and bold graphic eyeliner

Rosie, 38, oozed effortless style in a dark navy blue leather trenchcoat, cinched with a coordinating belt

The model wore patterned satin trousers underneath and added a pair of red stilettos for a pop of colour, while finishing the look with oversized sunglasses

She was joined at the runway show by her movie star fiancé Jason Statham, who looked as handsome as ever in a trendy black jacket with leather panels

The action hero – who has been with Rosie for 15 years and shares two children with her – also sported a bushy salt and pepper beard

While Iris, 24, opted for a more laidback look, slipping in an oversized silk shirt dress embossed with a paisley pattern and left unbuttoned daringly low

The model daughter of Jude Law and Sadie Frost layered a trendy tan trenchcoat over the top, elevating the look with strappy green heels and statement silver earrings

Fellow nepo baby and model, Lila Moss, 22, showed her remarkable resemblance to her mother Kate , as she put on a leggy display in a classic little black dress and sheer tights

In a nod to Burberry’s most signature design elements, she added a cropped trench-coat cape over her shoulders and sported heels covered in the fashion brand’s trademark check print

Ellie Bamber also opted for the famous Burberry Check, sporting a belted khaki leather jacket with the tartan print on the lapels and hem

The Trial of Christine Keeler star toted a matching patterned handbag and completed her look with skintight purple trousers and knee-high boots

The Trial of Christine Keeler star toted a matching patterned handbag and completed her look with skintight purple trousers and knee-high boots.

But Naomi Campbell soon became the centre of attention, as she made her stylish arrival arm-in-arm with pal and former British Vogue editor Edward Enninful.

The supermodel looked nothing short of sensational in a forest green velvet suit embossed with an intricate pattern, that showcased her long legs and statuesque frame.

While Edward cut a quirky figure in a trendy waterproof jacket, chunky white trainers and a leather bucket hat.

RAYE was the picture of elegance in a charcoal grey tailored coat belted at the waist to highlight her incredible figure.

The singer teamed it with a checked shirt, chunky boots and a classic red lip, while flashing a glimpse of her bare legs underneath.

Currently playing fashion icon Miranda Priestly in the West End musical adaptation of The Devil Wears Prada, Vanessa Williams exuded sophistication at the show.

The actress displayed her impeccable taste in tailored striped suit and silk shirt, underneath a classic Burberry trenchcoat, with a matching check patterned handbag and heels.

But Naomi Campbell soon became the centre of attention, as she made her stylish arrival arm-in-arm with pal and former British Vogue editor Edward Enninful

The supermodel looked nothing short of sensational in a forest green velvet suit embossed with an intricate pattern, that showcased her long legs and statuesque frame

While Edward cut a quirky figure in a trendy waterproof jacket, chunky white trainers and a leather bucket hat

RAYE was the picture of elegance in a charcoal grey tailored coat belted at the waist to highlight her incredible figure

The singer teamed it with a checked shirt, chunky boots and a classic red lip, while flashing a glimpse of her bare legs underneath

Currently playing fashion icon Miranda Priestly in the West End musical adaptation of The Devil Wears Prada, Vanessa Williams exuded sophistication at the show

The actress displayed her impeccable taste in tailored striped suit and silk shirt, underneath a classic Burberry trenchcoat, with a matching check patterned handbag and heels

While the inspiration for the role of Miranda, Vogue’s Anna Wintour was also in attendance, teaming her signature fringed bob and shades with a floral embroidered burgundy trench

And musical legend Elton John – who wrote the music for the West End production of The Devil Wears Prada – looked in cheerful spirits as he also attended the show

The iconic singer, 78, donned a red pair of his favourite bold glasses and a quirky matching scarf, while pinning a gold tiger brooch to his jacket.

Bridgerton and Wicked star Jonathan Bailey put on yet another swooning display in a dark turtleneck and velvet trousers with a baggy woollen jacket

Fellow Bridgerton star Hannah Dodd braved the autumn chill in a lacy black minidress and an edgy leather jacket

Nicky Hilton also cut a stylish figure in a chic Burberry trench coat and a matching handbag

While the inspiration for the role of Miranda, Vogue’s Anna Wintour was also in attendance, teaming her signature fringed bob and shades with a floral embroidered burgundy trench.

And musical legend Elton John – who wrote the music for the West End production of The Devil Wears Prada – looked in cheerful spirits as he also attended the show.

The iconic singer, 78, donned a red pair of his favourite bold glasses and a quirky matching scarf, while pinning a gold tiger brooch to his jacket.

Wicked star Jonathan Bailey put on yet another swooning display in a dark turtleneck and velvet trousers with a baggy woollen jacket.

While his Bridgerton co-star Hannah Dodd braved the autumn chill in a lacy black minidress and an edgy leather jacket.

Jourdan Dunn ensured all eyes were on her, as she displayed her chiselled abs in a cropped wrap-around cardigan.

The model teamed the cosy jumper with a tartan maxi skirt and added even more inches to her already statuesque frame with grey check stilettos.

Jourdan elevated her fashion forward look even further with bold accessories, sporting a pair of leather gloves, blue futuristic shades and large silver spike earrings.

But Jourdan Dunn ensured all eyes were on her, as she displayed her chiselled abs in a cropped wrap-around cardigan

The model teamed the cosy jumper with a tartan maxi skirt and added even more inches to her already statuesque frame with grey check stilettos

Jourdan elevated her fashion forward look even further with bold accessories, sporting a pair of leather gloves, blue futuristic shades and large silver spike earrings

Socialite Nicky Hilton kept things classic and simple in a Burberry check pencil skirt and black boots, under a light grey jacket

While Skepta showcased his edgy and enviable sense of style in a dark leather jacket decorated with embroidered floral detailing

Olivia Dean pulled off one of the best looks of the night in a brown checked coat dress that she teamed with a matching woollen scarf and thin belt

Joanna Lumley and Jennifer Saunders enjoyed an Absolutely Fabulous reunion at the show, with both actresses putting their best fashion foot forward (L-R Jennifer, Twiggy and Joanna)

Joanna, 79, put on an age-defying display in a dark purple jacket and flared khaki trousers, with futuristic black shades

While Jennifer opted for a timeless classic, slipping into a camel-coloured leather trench with the famous Burberry Check scarf

The two pals posed with iconic 60s model Twiggy , who dressed to impress in a smart black blazer and matching trousers, teamed with a crisp white shirt and satin tie

Socialite Nicky Hilton kept things simple in a Burberry check pencil skirt and black boots, under a light grey jacket.

While Skepta showcased his edgy and enviable sense of style in a dark leather jacket decorated with embroidered floral detailing.

The rapper went classic and timeless with the rest of his outfit, sporting smart grey slacks, a jumper and button-up shirt, and a furry black hat.

Olivia Dean pulled off one of the best looks of the night in a brown checked coat dress that she teamed with a matching woollen scarf and thin belt.

Joanna Lumley and Jennifer Saunders enjoyed an Absolutely Fabulous reunion at the show, with both actresses putting their best fashion foot forward.

Joanna, 79, put on an age-defying display in a dark purple jacket and flared khaki trousers, with futuristic black shades.

While Jennifer opted for a timeless classic, slipping into a camel-coloured leather trench with the famous Burberry Check scarf.

The two pals posed with iconic 60s model Twiggy, who dressed to impress in a smart black blazer and matching trousers, teamed with a crisp white shirt and satin tie.

One surprising attendee was ex-footballer Ian Wright, who scrubbed up very well for the fashion soiree in a trendy blue zip-up jacket and velvet trousers

The former Arsenal star added to his debonair look with a green beret and aviator-style sunglasses

Granddaughter of Dame Vivienne Westwood, Cora Corré put on a daring display in a plunging unbuttoned shirt and fashion forward jeans decorated with stitched seams

Alexa Chung also showed her fashion prowess in a chic white coat with an eye-catching pointy collar and matching belt

While Poppy Delevingne dared to bare her legs in cream miniskirt and green jumper, adding knee-high boots and a brown trench

Anita Rani added a bright pop of colour to her neutral toned look with a pair of bold green snakeskin boots

Emma Thynn, Marchioness of Bath, looked elegant in a long black dress with a flowing train underneath a matching trench coat

Actor Tom Blythe looked effortlessly handsome in a plain white T-shirt and black trousers under a cool grey coat

While The Buccaneers star Guy Remmers pulled out all the stops, cutting a very stylish figure in an edgy khaki shirt and trousers co-ord

Model and son of Liam Gallagher and Patsy Kensit, displayed his uncanny resemblance to his dad in a chunky knit sweater and tweed coat

While Dua Lipa’s glamorous little sister Rina went preppy chic in a tartan barn jacket and black miniskirt

And Pixie Geldof channelled gothic vibes with her bright white hair, graphic T-shirt and black trench coat

One surprising attendee was ex-footballer Ian Wright, who scrubbed up very well for the fashion soiree in a trendy blue zip-up jacket and velvet trousers.

The former Arsenal star added to his debonair look with a green beret and aviator-style sunglasses.

Actor Tom Blythe looked effortlessly handsome in a plain white T-shirt and black trousers under a cool grey coat.

While The Buccaneers star Guy Remmers pulled out all the stops, cutting a very stylish figure in an edgy khaki shirt and trousers co-ord.

Granddaughter of Dame Vivienne Westwood, Cora Corré put on a daring display in a plunging unbuttoned shirt and fashion forward jeans decorated with stitched seams.

Alexa Chung also showed her fashion prowess in a chic white coat with an eye-catching pointy collar and matching belt.

While Poppy Delevingne dared to bare her legs in cream miniskirt and green jumper, adding knee-high boots and a brown trench.

Glamorous blonde trio, Twiggy, Jennifer and Joanna, looked excited for the show to begin as they took their seats in the front row

Showing her dedication to fashion, Jourdan resisted removing either her sunglasses or gloves to watch the catwalk

RAYE oozed old Hollywood glamour with her classic dark red lipstick, matching nails and vintage curls

And the Escapism hitmaker was still in cheerful spirits after the show, looking ready and raring to celebrate as she made her exit

Ellie made a slightly less energetic departure after the runway show had wrapped up

Following the star-studded show, most of the glamorous crowd dispersed into the night to catch their rides home

While Jourdan made the street her own catwalk, as she strutted out into the night with the rest of the departing crowd

But it appeared that that cold nighttime air was too much for Lila, who was seen wrapping herself up warm in a cosy Burberry blanket

The model still looked in high spirits despite feeling the chill, giggling as she made her exit with pals

Joanna beamed from ear to ear as she was escorted out of the show by a young member of staff

While Ian swapped his cool shades for his usual glasses as he headed out to find his ride

However, some stars who were unwilling to call it a night just yet, opted to head across the street to the afterparty at The Chiltern Firehouse

The famous venue has temporarily reopened its lobby for London Fashion Week following a devastating blaze on Valentine’s Day – while the hotel and restaurant remain under reconstruction

And taking advantage of the briefly reopened doors to the celebrity-beloved hotspot were the likes of Rosie, Nicky (pictured), Rina and Heartstopper star Joe Locke

Princess Maria-Olympia of Greece and Denmark looked chic in a dark grey dress inspired by the classic trench, with a backless design

Emma whipped off her coat to reveal her daring strapless black gown underneath and svelte figure

Joe went casual for the bash, sporting a plain black jumper and jeans with leather loafers

Inside the exclusive bash, Mexican luxury spirits and hospitality brand Clase Azul treated guests to a pop-up bar serving delicious cocktails made using Clase Azul Tequila Reposado

Model and son of Liam Gallagher and Patsy Kensit, displayed his uncanny resemblance to his dad in a chunky knit sweater and tweed coat.

While Dua Lipa’s glamorous little sister Rina went preppy chic in a tartan barn jacket and black miniskirt.

And Pixie Geldof channelled gothic vibes with her bright white hair, graphic T-shirt and black trench coat.

Anita Rani added a bright pop of colour to her neutral toned look with a pair of bold green snakeskin boots.

Following the star-studded show, most of the glamorous crowd dispersed into the night to catch their rides home.

However, some stars who were unwilling to call it a night just yet, opted to head across the street to the afterparty at The Chiltern Firehouse.

The famous venue has temporarily reopened its lobby for London Fashion Week following a devastating blaze on Valentine’s Day – while the hotel and restaurant remain under reconstruction.

And taking advantage of the briefly reopened doors to the celebrity-beloved hotspot were the likes of Rosie, Nicky, Rina and Heartstopper star Joe Locke.

Inside the exclusive bash, Mexican luxury spirits and hospitality brand Clase Azul treated guests to a pop-up bar serving delicious cocktails made using Clase Azul Tequila Reposado.

Maya Jama stole the show on Monday night, as she joined Jodie Turner-Smith, Rosie Huntington-Whiteley and Iris Law in leading the stars arriving at Hyde Park for the Burberry show during London Fashion Week.

The presenter, 31, ensured all eyes were on her in an arresting black and navy gown that clung to every inch of her toned figure and displayed her ample cleavage.

She flashed a radiant smile as she twirled for the cameras, revealing the fringed detailing on the skirt and long flared sleeves, and sported a blunt bob and black shades

Jodie, 39, caught the eye in a striking black and white gown featuring intricate feather-like detailing over the skirt and sleeves.

The actress styled it with two black belts to accentuate her tiny waist and large hoop earrings, while sporting a classic victory rolls hairstyle and bold graphic eyeliner.

Rosie, 38, oozed effortless style in a dark navy blue leather trenchcoat, cinched with a coordinating belt.

Maya Jama stole the show on Monday night, as she lead the stars arriving at Hyde Park for the Burberry show during London Fashion Week

Joining Maya at the runway show for the British luxury fashion house was model Rosie Huntington-Whiteley

While actress Jodie Turner-Smith put on an equally arresting display as she arrived at the star-studded runway show

And model Iris Law also was in attendance on the last day of London Fashion Week, before Milan Fashion Week kicks off on Tuesday

The model wore patterned satin trousers underneath and added a pair of red stilettos for a pop of colour, while finishing the look with oversized sunglasses.

She was joined at the runway show by her movie star fiancé Jason Statham, who looked as handsome as ever in a trendy black jacket with leather panels.

The action hero – who has been with Rosie for 15 years and shares two children with her – also sported a bushy salt and pepper beard.

While Iris, 24, opted for a more laidback look, slipping in an oversized silk shirt dress embossed with a paisley pattern and left unbuttoned daringly low.

The model daughter of Jude Law and Sadie Frost layered a trendy tan trenchcoat over the top, elevating the look with strappy green heels and statement silver earrings.

Fellow nepo baby and model, Lila Moss, 22, showed her remarkable resemblance to her mother Kate, as she put on a leggy display in a classic little black dress and sheer tights.

And in a nod to Burberry’s most signature design elements, she added a cropped trench-coat cape over her shoulders and sported heels covered in the fashion brand’s trademark check print.

Ellie Bamber also opted for the famous Burberry Check, sporting a belted khaki leather jacket with the tartan print on the lapels and hem.

The presenter, 31, ensured all eyes were on her in an arresting black and navy gown that clung to every inch of her toned figure and displayed her ample cleavage

She flashed a radiant smile as she twirled for the cameras, revealing the fringed detailing on the skirt and long flared sleeves

The Love Island host also sported an elegant blunt bob hairstyle, while hiding her face behind a pair of black shades

Following her attendance at the event, Maya continued to show off her eye-catching look as she headed to the after party at Chiltern Firehouse

The presenter has been a fixture at swanky events during fashion week

Jodie, 39, commanded attention in a striking black and white gown featuring intricate feather-like detailing over the skirt and sleeves

She styled it with two black belts to accentuate her tiny waist and large hoop earrings, while sporting a classic victory rolls hairstyle and bold graphic eyeliner

Rosie, 38, oozed effortless style in a dark navy blue leather trenchcoat, cinched with a coordinating belt

The model wore patterned satin trousers underneath and added a pair of red stilettos for a pop of colour, while finishing the look with oversized sunglasses

She was joined at the runway show by her movie star fiancé Jason Statham, who looked as handsome as ever in a trendy black jacket with leather panels

The action hero – who has been with Rosie for 15 years and shares two children with her – also sported a bushy salt and pepper beard

While Iris, 24, opted for a more laidback look, slipping in an oversized silk shirt dress embossed with a paisley pattern and left unbuttoned daringly low

The model daughter of Jude Law and Sadie Frost layered a trendy tan trenchcoat over the top, elevating the look with strappy green heels and statement silver earrings

Fellow nepo baby and model, Lila Moss, 22, showed her remarkable resemblance to her mother Kate , as she put on a leggy display in a classic little black dress and sheer tights

In a nod to Burberry’s most signature design elements, she added a cropped trench-coat cape over her shoulders and sported heels covered in the fashion brand’s trademark check print

Ellie Bamber also opted for the famous Burberry Check, sporting a belted khaki leather jacket with the tartan print on the lapels and hem

The Trial of Christine Keeler star toted a matching patterned handbag and completed her look with skintight purple trousers and knee-high boots

The Trial of Christine Keeler star toted a matching patterned handbag and completed her look with skintight purple trousers and knee-high boots.

But Naomi Campbell soon became the centre of attention, as she made her stylish arrival arm-in-arm with pal and former British Vogue editor Edward Enninful.

The supermodel looked nothing short of sensational in a forest green velvet suit embossed with an intricate pattern, that showcased her long legs and statuesque frame.

While Edward cut a quirky figure in a trendy waterproof jacket, chunky white trainers and a leather bucket hat.

RAYE was the picture of elegance in a charcoal grey tailored coat belted at the waist to highlight her incredible figure.

The singer teamed it with a checked shirt, chunky boots and a classic red lip, while flashing a glimpse of her bare legs underneath.

Currently playing fashion icon Miranda Priestly in the West End musical adaptation of The Devil Wears Prada, Vanessa Williams exuded sophistication at the show.

The actress displayed her impeccable taste in tailored striped suit and silk shirt, underneath a classic Burberry trenchcoat, with a matching check patterned handbag and heels.

But Naomi Campbell soon became the centre of attention, as she made her stylish arrival arm-in-arm with pal and former British Vogue editor Edward Enninful

The supermodel looked nothing short of sensational in a forest green velvet suit embossed with an intricate pattern, that showcased her long legs and statuesque frame

While Edward cut a quirky figure in a trendy waterproof jacket, chunky white trainers and a leather bucket hat

RAYE was the picture of elegance in a charcoal grey tailored coat belted at the waist to highlight her incredible figure

The singer teamed it with a checked shirt, chunky boots and a classic red lip, while flashing a glimpse of her bare legs underneath

Currently playing fashion icon Miranda Priestly in the West End musical adaptation of The Devil Wears Prada, Vanessa Williams exuded sophistication at the show

The actress displayed her impeccable taste in tailored striped suit and silk shirt, underneath a classic Burberry trenchcoat, with a matching check patterned handbag and heels

While the inspiration for the role of Miranda, Vogue’s Anna Wintour was also in attendance, teaming her signature fringed bob and shades with a floral embroidered burgundy trench

And musical legend Elton John – who wrote the music for the West End production of The Devil Wears Prada – looked in cheerful spirits as he also attended the show

The iconic singer, 78, donned a red pair of his favourite bold glasses and a quirky matching scarf, while pinning a gold tiger brooch to his jacket.

Bridgerton and Wicked star Jonathan Bailey put on yet another swooning display in a dark turtleneck and velvet trousers with a baggy woollen jacket

Fellow Bridgerton star Hannah Dodd braved the autumn chill in a lacy black minidress and an edgy leather jacket

Nicky Hilton also cut a stylish figure in a chic Burberry trench coat and a matching handbag

While the inspiration for the role of Miranda, Vogue’s Anna Wintour was also in attendance, teaming her signature fringed bob and shades with a floral embroidered burgundy trench.

And musical legend Elton John – who wrote the music for the West End production of The Devil Wears Prada – looked in cheerful spirits as he also attended the show.

The iconic singer, 78, donned a red pair of his favourite bold glasses and a quirky matching scarf, while pinning a gold tiger brooch to his jacket.

Wicked star Jonathan Bailey put on yet another swooning display in a dark turtleneck and velvet trousers with a baggy woollen jacket.

While his Bridgerton co-star Hannah Dodd braved the autumn chill in a lacy black minidress and an edgy leather jacket.

Jourdan Dunn ensured all eyes were on her, as she displayed her chiselled abs in a cropped wrap-around cardigan.

The model teamed the cosy jumper with a tartan maxi skirt and added even more inches to her already statuesque frame with grey check stilettos.

Jourdan elevated her fashion forward look even further with bold accessories, sporting a pair of leather gloves, blue futuristic shades and large silver spike earrings.

But Jourdan Dunn ensured all eyes were on her, as she displayed her chiselled abs in a cropped wrap-around cardigan

The model teamed the cosy jumper with a tartan maxi skirt and added even more inches to her already statuesque frame with grey check stilettos

Jourdan elevated her fashion forward look even further with bold accessories, sporting a pair of leather gloves, blue futuristic shades and large silver spike earrings

Socialite Nicky Hilton kept things classic and simple in a Burberry check pencil skirt and black boots, under a light grey jacket

While Skepta showcased his edgy and enviable sense of style in a dark leather jacket decorated with embroidered floral detailing

Olivia Dean pulled off one of the best looks of the night in a brown checked coat dress that she teamed with a matching woollen scarf and thin belt

Joanna Lumley and Jennifer Saunders enjoyed an Absolutely Fabulous reunion at the show, with both actresses putting their best fashion foot forward (L-R Jennifer, Twiggy and Joanna)

Joanna, 79, put on an age-defying display in a dark purple jacket and flared khaki trousers, with futuristic black shades

While Jennifer opted for a timeless classic, slipping into a camel-coloured leather trench with the famous Burberry Check scarf

The two pals posed with iconic 60s model Twiggy , who dressed to impress in a smart black blazer and matching trousers, teamed with a crisp white shirt and satin tie

Socialite Nicky Hilton kept things simple in a Burberry check pencil skirt and black boots, under a light grey jacket.

While Skepta showcased his edgy and enviable sense of style in a dark leather jacket decorated with embroidered floral detailing.

The rapper went classic and timeless with the rest of his outfit, sporting smart grey slacks, a jumper and button-up shirt, and a furry black hat.

Olivia Dean pulled off one of the best looks of the night in a brown checked coat dress that she teamed with a matching woollen scarf and thin belt.

Joanna Lumley and Jennifer Saunders enjoyed an Absolutely Fabulous reunion at the show, with both actresses putting their best fashion foot forward.

Joanna, 79, put on an age-defying display in a dark purple jacket and flared khaki trousers, with futuristic black shades.

While Jennifer opted for a timeless classic, slipping into a camel-coloured leather trench with the famous Burberry Check scarf.

The two pals posed with iconic 60s model Twiggy, who dressed to impress in a smart black blazer and matching trousers, teamed with a crisp white shirt and satin tie.

One surprising attendee was ex-footballer Ian Wright, who scrubbed up very well for the fashion soiree in a trendy blue zip-up jacket and velvet trousers

The former Arsenal star added to his debonair look with a green beret and aviator-style sunglasses

Granddaughter of Dame Vivienne Westwood, Cora Corré put on a daring display in a plunging unbuttoned shirt and fashion forward jeans decorated with stitched seams

Alexa Chung also showed her fashion prowess in a chic white coat with an eye-catching pointy collar and matching belt

While Poppy Delevingne dared to bare her legs in cream miniskirt and green jumper, adding knee-high boots and a brown trench

Anita Rani added a bright pop of colour to her neutral toned look with a pair of bold green snakeskin boots

Emma Thynn, Marchioness of Bath, looked elegant in a long black dress with a flowing train underneath a matching trench coat

Actor Tom Blythe looked effortlessly handsome in a plain white T-shirt and black trousers under a cool grey coat

While The Buccaneers star Guy Remmers pulled out all the stops, cutting a very stylish figure in an edgy khaki shirt and trousers co-ord

Model and son of Liam Gallagher and Patsy Kensit, displayed his uncanny resemblance to his dad in a chunky knit sweater and tweed coat

While Dua Lipa’s glamorous little sister Rina went preppy chic in a tartan barn jacket and black miniskirt

And Pixie Geldof channelled gothic vibes with her bright white hair, graphic T-shirt and black trench coat

One surprising attendee was ex-footballer Ian Wright, who scrubbed up very well for the fashion soiree in a trendy blue zip-up jacket and velvet trousers.

The former Arsenal star added to his debonair look with a green beret and aviator-style sunglasses.

Actor Tom Blythe looked effortlessly handsome in a plain white T-shirt and black trousers under a cool grey coat.

While The Buccaneers star Guy Remmers pulled out all the stops, cutting a very stylish figure in an edgy khaki shirt and trousers co-ord.

Granddaughter of Dame Vivienne Westwood, Cora Corré put on a daring display in a plunging unbuttoned shirt and fashion forward jeans decorated with stitched seams.

Alexa Chung also showed her fashion prowess in a chic white coat with an eye-catching pointy collar and matching belt.

While Poppy Delevingne dared to bare her legs in cream miniskirt and green jumper, adding knee-high boots and a brown trench.

Glamorous blonde trio, Twiggy, Jennifer and Joanna, looked excited for the show to begin as they took their seats in the front row

Showing her dedication to fashion, Jourdan resisted removing either her sunglasses or gloves to watch the catwalk

RAYE oozed old Hollywood glamour with her classic dark red lipstick, matching nails and vintage curls

And the Escapism hitmaker was still in cheerful spirits after the show, looking ready and raring to celebrate as she made her exit

Ellie made a slightly less energetic departure after the runway show had wrapped up

Following the star-studded show, most of the glamorous crowd dispersed into the night to catch their rides home

While Jourdan made the street her own catwalk, as she strutted out into the night with the rest of the departing crowd

But it appeared that that cold nighttime air was too much for Lila, who was seen wrapping herself up warm in a cosy Burberry blanket

The model still looked in high spirits despite feeling the chill, giggling as she made her exit with pals

Joanna beamed from ear to ear as she was escorted out of the show by a young member of staff

While Ian swapped his cool shades for his usual glasses as he headed out to find his ride

However, some stars who were unwilling to call it a night just yet, opted to head across the street to the afterparty at The Chiltern Firehouse

The famous venue has temporarily reopened its lobby for London Fashion Week following a devastating blaze on Valentine’s Day – while the hotel and restaurant remain under reconstruction

And taking advantage of the briefly reopened doors to the celebrity-beloved hotspot were the likes of Rosie, Nicky (pictured), Rina and Heartstopper star Joe Locke

Princess Maria-Olympia of Greece and Denmark looked chic in a dark grey dress inspired by the classic trench, with a backless design

Emma whipped off her coat to reveal her daring strapless black gown underneath and svelte figure

Joe went casual for the bash, sporting a plain black jumper and jeans with leather loafers

Inside the exclusive bash, Mexican luxury spirits and hospitality brand Clase Azul treated guests to a pop-up bar serving delicious cocktails made using Clase Azul Tequila Reposado

Model and son of Liam Gallagher and Patsy Kensit, displayed his uncanny resemblance to his dad in a chunky knit sweater and tweed coat.

While Dua Lipa’s glamorous little sister Rina went preppy chic in a tartan barn jacket and black miniskirt.

And Pixie Geldof channelled gothic vibes with her bright white hair, graphic T-shirt and black trench coat.

Anita Rani added a bright pop of colour to her neutral toned look with a pair of bold green snakeskin boots.

Following the star-studded show, most of the glamorous crowd dispersed into the night to catch their rides home.

However, some stars who were unwilling to call it a night just yet, opted to head across the street to the afterparty at The Chiltern Firehouse.

The famous venue has temporarily reopened its lobby for London Fashion Week following a devastating blaze on Valentine’s Day – while the hotel and restaurant remain under reconstruction.

And taking advantage of the briefly reopened doors to the celebrity-beloved hotspot were the likes of Rosie, Nicky, Rina and Heartstopper star Joe Locke.

Inside the exclusive bash, Mexican luxury spirits and hospitality brand Clase Azul treated guests to a pop-up bar serving delicious cocktails made using Clase Azul Tequila Reposado.

The postgame press room at Michelob Ultra Arena crackled with tension — not from the scoreboard (Las Vegas Aces: 82, Indiana Fever: 85), not from the stakes (down 0-2 in the semifinals), but from the words dripping like acid from Becky Hammon’s lips.

The Hall of Fame coach, known for her tactical brilliance and icy composure, sat stone-faced as reporters lobbed questions about A’ja Wilson’s uncharacteristic 6-of-22 shooting night — a career playoff low — and whether Aliyah Boston’s suffocating defense had anything to do with it.

Hammon didn’t flinch. Didn’t hesitate. “A’ja just missed,” she said flatly, arms crossed. “Bad night. Happens to the best of us. No scheme, no matchup, no ‘defense’ changed that.

She got good looks. She didn’t knock ’em down. That’s basketball.” The room fell silent. Then erupted. Because everyone knew — everyone saw — what really happened. And Hammon’s refusal to credit Boston wasn’t just stubborn. It was strategic. Dismissive. And, frankly, disrespectful.

Rewind to the game itself — a masterclass in defensive discipline by the 23-year-old Fever center. From the opening tip, Boston attached herself to Wilson like a shadow — not reaching, not gambling, just… there.

Every roll to the rim? Boston met her at the summit. Every post-up? Boston absorbed contact, held her ground, forced Wilson into fadeaways over double teams. When Wilson tried facing up, Boston slid her feet, cut off driving angles, and funneled her into help defenders.

The result? Wilson shot 1-of-8 in the paint — unheard of for a player who feasts on interior scoring. She committed four turnovers — two stripped clean by Boston’s active hands. She looked frustrated, glancing at refs after no-calls, shaking her head after airballs.

This wasn’t “just missing.” This was systematic dismantling — executed with surgical precision by a young woman Hammon refused to name.

Analysts didn’t mince words. “Becky’s in denial,” declared ESPN’s Rebecca Lobo during halftime. “Boston took Wilson out of her comfort zone completely. Forced her into tough jumpers. Contested everything without fouling. That’s elite defense — not luck.”

Doris Burke went further: “To say ‘she just missed’ is to ignore film, ignore stats, ignore reality. Boston won that matchup. Period.” Social media exploded with side-by-side edits: Wilson’s grimaces vs. Boston’s stoic focus; heat maps showing Wilson’s shots clustered in inefficient mid-range zones; even a viral TikTok slowing down Boston’s footwork on a key fourth-quarter possession — captioned: “When your coach won’t say your name, the internet will.”

#CreditAliyah trended globally within minutes. Fans weren’t just annoyed — they were furious. “This is why women don’t get respect in sports,” tweeted @HoopsFeminist. “A man dominates? He’s ‘clutch.’ A woman shuts down MVP? ‘She just missed.’”

Behind the scenes, sources say Hammon’s stance wasn’t accidental — it was calculated. By refusing to acknowledge Boston’s impact, she aimed to protect Wilson’s confidence and avoid giving Indiana “bulletin board material” heading into Game 3.

“Becky’s old school,” said one Western Conference assistant coach, speaking anonymously. “She thinks naming the opponent’s strength gives them power. So she erases it. Calls it ‘bad luck.’ Classic mind game.”

But the strategy backfired — spectacularly. Instead of silencing Boston’s rise, Hammon amplified it. Teammates rallied around her. Caitlin Clark posted a black-and-white photo of Boston mid-contest with the caption: “They can’t say your name?

We’ll scream it.” Kelsey Mitchell: “Aliyah ate. Facts don’t need Becky’s permission.” Even rivals chimed in. Chicago’s Angel Reese: “Y’all see this disrespect? I got u, AB.”

What makes Hammon’s dismissal so galling is the context. Boston isn’t some scrub. She’s the reigning Rookie of the Year, an All-Defensive First Teamer, and averaging 14.2 rebounds and 2.1 blocks per game this postseason.

Her defensive rating? 94.8 — best among starting centers. She doesn’t just guard Wilson — she guards the entire paint, rotating seamlessly, communicating switches, anchoring Indiana’s league-best defensive efficiency in clutch time. To reduce her performance to “A’ja had an off night” isn’t just inaccurate — it’s insulting.

“It’s like saying Steph Curry lost because he ‘just missed,’” wrote Washington Post columnist Sally Jenkins. “Great defense forces bad shots. Boston forced 16 of them. That’s not luck. That’s labor.”

Hammon doubled down in a late-night radio interview: “Look, I’ve coached against great defenders. Lisa Leslie. Sylvia Fowles. Brittney Griner. You know what they all did? Made you miss. But you still gotta make shots. A’ja didn’t. End of story.” The comparison felt desperate — even revisionist.

Leslie and Fowles were credited for making stars miss. Griner’s blocks were highlight reels. Why deny Boston the same recognition? Analysts pointed out Hammon’s own history: as a player, she thrived when opponents underestimated her. Now? She’s the one doing the underestimating. “Irony’s a hell of a drug,” quipped CBS Sports’ Adam Beasley.

The fallout extended beyond pride. Sponsors took notice. State Farm, Boston’s personal endorsement partner, reportedly fast-tracked a new ad campaign featuring her defensive stops — with the tagline: “Some things can’t be denied.

Not even by coaches.” Nike reps requested additional footage of her Game 2 highlights for social rollout. “They’re turning Hammon’s snub into marketing gold,” said branding strategist Marcus Bell.

“Gen Z loves an underdog — especially when the villain’s a Hall of Famer.” Even the WNBA leaned in, releasing an official highlight package titled “THE DEFENSE THEY WOULDN’T NAME” — featuring every Boston stop with dramatic music and zero commentary. It garnered 2.3 million views in three hours.

Boston herself remained characteristically quiet — until she didn’t. In a brief scrum outside the locker room, a reporter asked if she’d seen Hammon’s comments. Boston paused, then smiled faintly. “I don’t need her to say my name,” she said softly.

“I need my team to trust me. And they do.” She adjusted her backpack, eyes gleaming. “Game 3? I’m coming harder.” No bravado. No bitterness. Just cold, clear intent. The message? She doesn’t crave validation. She craves victory. And she’ll get it — with or without credit.

What comes next? Game 3 looms in Indianapolis — and Wilson will come out swinging. Expect 20 shots. Expect physicality. Expect fury. But expect Boston to be ready. “She’s locked in,” said Fever coach Christie Sides. “This ain’t about ego.

It’s about legacy. And Aliyah? She’s writing hers in real time.” As for Hammon? She’ll stick to her script. Deny. Deflect. Downplay. But the film doesn’t lie. The stats don’t lie. And the fans? They’re done letting greatness go unnamed.

Becky Hammon can refuse to say “Aliyah Boston.” But history won’t. The record books won’t. And come Sunday night, if the Fever close out the series? The trophy won’t either. Some truths are too loud to silence — even by the loudest coach in the league.

The postgame press room at Michelob Ultra Arena crackled with tension — not from the scoreboard (Las Vegas Aces: 82, Indiana Fever: 85), not from the stakes (down 0-2 in the semifinals), but from the words dripping like acid from Becky Hammon’s lips.

The Hall of Fame coach, known for her tactical brilliance and icy composure, sat stone-faced as reporters lobbed questions about A’ja Wilson’s uncharacteristic 6-of-22 shooting night — a career playoff low — and whether Aliyah Boston’s suffocating defense had anything to do with it.

Hammon didn’t flinch. Didn’t hesitate. “A’ja just missed,” she said flatly, arms crossed. “Bad night. Happens to the best of us. No scheme, no matchup, no ‘defense’ changed that.

She got good looks. She didn’t knock ’em down. That’s basketball.” The room fell silent. Then erupted. Because everyone knew — everyone saw — what really happened. And Hammon’s refusal to credit Boston wasn’t just stubborn. It was strategic. Dismissive. And, frankly, disrespectful.

Rewind to the game itself — a masterclass in defensive discipline by the 23-year-old Fever center. From the opening tip, Boston attached herself to Wilson like a shadow — not reaching, not gambling, just… there.

Every roll to the rim? Boston met her at the summit. Every post-up? Boston absorbed contact, held her ground, forced Wilson into fadeaways over double teams. When Wilson tried facing up, Boston slid her feet, cut off driving angles, and funneled her into help defenders.

The result? Wilson shot 1-of-8 in the paint — unheard of for a player who feasts on interior scoring. She committed four turnovers — two stripped clean by Boston’s active hands. She looked frustrated, glancing at refs after no-calls, shaking her head after airballs.

This wasn’t “just missing.” This was systematic dismantling — executed with surgical precision by a young woman Hammon refused to name.

Analysts didn’t mince words. “Becky’s in denial,” declared ESPN’s Rebecca Lobo during halftime. “Boston took Wilson out of her comfort zone completely. Forced her into tough jumpers. Contested everything without fouling. That’s elite defense — not luck.”

Doris Burke went further: “To say ‘she just missed’ is to ignore film, ignore stats, ignore reality. Boston won that matchup. Period.” Social media exploded with side-by-side edits: Wilson’s grimaces vs. Boston’s stoic focus; heat maps showing Wilson’s shots clustered in inefficient mid-range zones; even a viral TikTok slowing down Boston’s footwork on a key fourth-quarter possession — captioned: “When your coach won’t say your name, the internet will.”

#CreditAliyah trended globally within minutes. Fans weren’t just annoyed — they were furious. “This is why women don’t get respect in sports,” tweeted @HoopsFeminist. “A man dominates? He’s ‘clutch.’ A woman shuts down MVP? ‘She just missed.’”

Behind the scenes, sources say Hammon’s stance wasn’t accidental — it was calculated. By refusing to acknowledge Boston’s impact, she aimed to protect Wilson’s confidence and avoid giving Indiana “bulletin board material” heading into Game 3.

“Becky’s old school,” said one Western Conference assistant coach, speaking anonymously. “She thinks naming the opponent’s strength gives them power. So she erases it. Calls it ‘bad luck.’ Classic mind game.”

But the strategy backfired — spectacularly. Instead of silencing Boston’s rise, Hammon amplified it. Teammates rallied around her. Caitlin Clark posted a black-and-white photo of Boston mid-contest with the caption: “They can’t say your name?

We’ll scream it.” Kelsey Mitchell: “Aliyah ate. Facts don’t need Becky’s permission.” Even rivals chimed in. Chicago’s Angel Reese: “Y’all see this disrespect? I got u, AB.”

What makes Hammon’s dismissal so galling is the context. Boston isn’t some scrub. She’s the reigning Rookie of the Year, an All-Defensive First Teamer, and averaging 14.2 rebounds and 2.1 blocks per game this postseason.

Her defensive rating? 94.8 — best among starting centers. She doesn’t just guard Wilson — she guards the entire paint, rotating seamlessly, communicating switches, anchoring Indiana’s league-best defensive efficiency in clutch time. To reduce her performance to “A’ja had an off night” isn’t just inaccurate — it’s insulting.

“It’s like saying Steph Curry lost because he ‘just missed,’” wrote Washington Post columnist Sally Jenkins. “Great defense forces bad shots. Boston forced 16 of them. That’s not luck. That’s labor.”

Hammon doubled down in a late-night radio interview: “Look, I’ve coached against great defenders. Lisa Leslie. Sylvia Fowles. Brittney Griner. You know what they all did? Made you miss. But you still gotta make shots. A’ja didn’t. End of story.” The comparison felt desperate — even revisionist.

Leslie and Fowles were credited for making stars miss. Griner’s blocks were highlight reels. Why deny Boston the same recognition? Analysts pointed out Hammon’s own history: as a player, she thrived when opponents underestimated her. Now? She’s the one doing the underestimating. “Irony’s a hell of a drug,” quipped CBS Sports’ Adam Beasley.

The fallout extended beyond pride. Sponsors took notice. State Farm, Boston’s personal endorsement partner, reportedly fast-tracked a new ad campaign featuring her defensive stops — with the tagline: “Some things can’t be denied.

Not even by coaches.” Nike reps requested additional footage of her Game 2 highlights for social rollout. “They’re turning Hammon’s snub into marketing gold,” said branding strategist Marcus Bell.

“Gen Z loves an underdog — especially when the villain’s a Hall of Famer.” Even the WNBA leaned in, releasing an official highlight package titled “THE DEFENSE THEY WOULDN’T NAME” — featuring every Boston stop with dramatic music and zero commentary. It garnered 2.3 million views in three hours.

Boston herself remained characteristically quiet — until she didn’t. In a brief scrum outside the locker room, a reporter asked if she’d seen Hammon’s comments. Boston paused, then smiled faintly. “I don’t need her to say my name,” she said softly.

“I need my team to trust me. And they do.” She adjusted her backpack, eyes gleaming. “Game 3? I’m coming harder.” No bravado. No bitterness. Just cold, clear intent. The message? She doesn’t crave validation. She craves victory. And she’ll get it — with or without credit.

What comes next? Game 3 looms in Indianapolis — and Wilson will come out swinging. Expect 20 shots. Expect physicality. Expect fury. But expect Boston to be ready. “She’s locked in,” said Fever coach Christie Sides. “This ain’t about ego.

It’s about legacy. And Aliyah? She’s writing hers in real time.” As for Hammon? She’ll stick to her script. Deny. Deflect. Downplay. But the film doesn’t lie. The stats don’t lie. And the fans? They’re done letting greatness go unnamed.

Becky Hammon can refuse to say “Aliyah Boston.” But history won’t. The record books won’t. And come Sunday night, if the Fever close out the series? The trophy won’t either. Some truths are too loud to silence — even by the loudest coach in the league.

The roar of the Gainbridge Fieldhouse crowd has felt a little quieter since Caitlin Clark, the Indiana Fever’s transcendent rookie and the engine of their electrifying playoff push, was sidelined with a knee injury that threatened to derail the team’s championship dreams.

For weeks, Fever fans have held their breath, watching their squad battle valiantly but inconsistently without their leader, the WNBA’s all-time single-season scoring leader and the face of a franchise on the rise.

The initial prognosis was grim: Clark would miss the remainder of the regular season and likely the playoffs, leaving a void that no single player could fill.

But in a stunning twist that has sent shockwaves through the league, a little-known provision in the WNBA’s collective bargaining agreement has emerged as a potential lifeline—a loophole that could pave the way for Clark’s dramatic return just in time for the postseason.

The loophole, buried in the fine print of the league’s injury and roster rules, centers on the distinction between a player being “inactive” versus being placed on the long-term injury exception (LTIE) list—a designation that, if applied creatively, could allow teams to temporarily free up salary cap space while preserving a star’s eligibility for the playoffs.

Here’s how it works: If a player suffers a significant injury early in the season, a team can apply for the LTIE, which removes the player’s salary from the team’s cap sheet for the duration of their recovery.

Crucially, this allows the team to sign a replacement player without breaching the cap. However, the catch is that the injured player must remain on the LTIE for a minimum of 45 days or the duration of their injury, whichever is longer.

If Clark’s recovery timeline aligns with this window—and if the Fever strategically time her move to the LTIE—she could be activated just as the playoffs begin, provided she’s medically cleared.

For the Fever, who currently sit in the sixth seed with a razor-thin margin for error, the possibility of Clark’s return is nothing short of a season-saving miracle.

Without her, Indiana has struggled to maintain the offensive firepower that made them one of the league’s most exciting teams; her scoring, playmaking, and leadership have been sorely missed in close games.

The team has leaned heavily on veterans like Kelsey Mitchell and Aliyah Boston, but the absence of Clark’s gravity—her ability to draw double-teams, hit logo threes, and elevate teammates—has made it difficult to close out opponents.

If she can return for the first round, it would not only rejuvenate the roster but also strike fear into the hearts of higher-seeded teams who counted Indiana out. “This changes everything,” one team source told ESPN. “If Caitlin’s back, we’re not just happy to be here—we’re coming for the title.”

The loophole’s existence has ignited a firestorm of debate across the WNBA, with fans, analysts, and even rival executives questioning its fairness and the Fever’s intentions.

Supporters argue that it’s a clever use of the rules to give a star player a chance to compete when healthy, while critics contend it could create a “competitive imbalance,” allowing teams to stash stars for the playoffs. The league office has yet to comment publicly, but sources indicate that officials are reviewing the situation to ensure compliance with the CBA.

Some rival GMs have privately grumbled about the Fever potentially “gaming the system,” though none have threatened formal complaints—yet. “This is the kind of loophole that makes the league look bad,” said a Western Conference executive. “But if it’s legal, you can’t blame them for trying.”

Medical experts, however, caution that even if the Fever exploit the loophole, Clark’s return would hinge on her physical readiness and the risk of re-injury.

Knee injuries, even those initially deemed season-ending, can have unpredictable recovery timelines, and the Fever’s medical staff would need to clear her without hesitation.

For Clark, who has spent months rehabbing with the same relentless work ethic that made her a star, the opportunity to return for a playoff run is a dream scenario, but she’s also acutely aware of the long-term implications. “She wants to play, but she’s not going to rush back if it’s not safe,” said a source close to Clark. “Her health comes first, but if she can go, she will.”

The reaction from fans has been a mix of euphoria and anxiety, with the WNBA community holding its collective breath as the regular season winds down. Social media is ablaze with speculation, with the hashtag #CaitlinReturns trending nightly.

Fever supporters have already begun dreaming of Clark’s playoff debut, while opponents are bracing for an Indiana team transformed by her presence. “If Caitlin comes back, the Fever are winning the championship,” declared one overly optimistic fan on Twitter.

“No one can stop that offense.” Even players from other teams have weighed in, with New York Liberty star Sabrina Ionescu tweeting, “The league just got a whole lot more interesting. Can’t wait to see 22 back out there.”

As the Fever approach the final stretch of the regular season, the focus is now on two fronts: securing a playoff spot and meticulously navigating the LTIE process to ensure Clark’s eligibility.

General manager Lin Dunn and head coach Christie Sides have remained tight-lipped about their plans, but all signs point to the team preparing for her return. If Clark is activated, it would be one of the most dramatic storylines in WNBA playoff history—a testament to her superstar power and the Fever’s shrewd front office.

For a league that thrives on narratives of resilience and triumph, this potential comeback would be the ultimate underdog tale, reminding everyone why Caitlin Clark is must-see TV. Whether she steps onto the court or not, one thing is certain: the WNBA playoffs just got a lot more must-watch.